Novel Review: Scratchman

We’re back, with another Doctor Who novel review! Stepping out of the New Adventures series for a moment, today we’re looking at a more recent, and more unique, novel: 2019’s Scratchman, written by Tom Baker himself!

…Well, not exactly. Baker is certainly credited as the author; and along with Ian Marter, he wrote the original movie treatment from which the novel is adapted. (In some sources, Marter gets a credit on the novel as well.) But the actual writing was handled by James Goss, and he deserves credit as well, so I’m acknowledging him here.

Cover of the print novel

However, Baker did do the reading of the novel; and it’s for that reason that this time, I chose the Audible audiobook version. I’ll go ahead and say, you should too; if you want to experience this novel, do yourself a favor and pick up the audio. Tom is clearly having the time of his life, and it shows; you won’t be disappointed.

This novel features the Fourth Doctor, along with companions Sarah Jane Smith and Harry Sullivan (placing it sometime early in the Fourth Doctor’s era—we’ll try to get a better placement later). Further, it’s told in the first person perspective, by the Doctor himself. And so, let’s get started!

Novel print back cover

SPOILERS AHEAD! A brief summary begins here, and contains spoilers. If you want to avoid them, skip down to the line divider, below. However, be aware that some minor spoilers may happen in the later remarks as well.

The Fourth Doctor is on trial. The Time Lords have summoned him to Gallifrey to account for his recent actions; and this time, they aren’t playing around. He is accused of interfering in universal affairs—a rather broad charge, and that’s the point, isn’t it? The penalty, should they find him guilty, is to be wiped from existence—but the Doctor isn’t going to roll over and die. Instead, he’s come to teach the Time Lords a lesson in fear—and to do that, he’s going to tell them the story of his recent encounter with the Devil himself: Scratchman.

The Doctor, Sarah, and Harry arrive on an island somewhere off the coast of Scotland (or is it? It’s suggested, but not confirmed), in a recent but unconfirmed year. It seems like a nice place for a break; but as usual, something is very wrong here. It doesn’t take long for the Doctor and his friends to find that strange living scarecrows have infested the island, and are slowly killing the villagers. Or…are they? It soon becomes apparent that they aren’t killing the locals; they’re transforming them into more scarecrows!

The travelers gather the remaining locals into the village church. The Doctor deduces that a virus is the vector for this strange plague, and that the scarecrows spread the virus by touch; but if he can keep them from getting infected, and can destroy the scarecrows, he can stop it. To the latter end, he constructs a machine that will create an evolutionarily targeted breed of moths, which will devour the scarecrows’ outer shells, killing them. He sends Harry out for parts, and sends Sarah to the TARDIS to retrieve an Artron power pack for the device. Harry is infected while out, though he doesn’t realize it. Sarah accidentally allows a scarecrow into the TARDIS; she confronts and defeats it, but not before it infects her—and what’s more, it infects the TARDIS itself. Along the way, the Doctor himself is infected, though he is able to resist it longer.

A battle in the churchyard leads to the deaths of the remaining locals; although the moths do the job, it’s too late, and the scarecrows capture the Doctor and his friends. They take them to the beach, where they are confronted by the power behind the scarecrows: The Cybermen. However, the Doctor figures out that the Cybermen aren’t the problem here; they, too, are tools. Some other power has gifted them with the scarecrow virus, promising them an easy army; that power now has what it truly wants: The Doctor. It appears on the beach in the form of a humanoid at a distance, as the Cybermen leave the scene and walk into the ocean. The figure tells the Doctor to come to him, and turns Harry and Sarah into scarecrows.

The Doctor lands the TARDIS in a strange volcanic world; as soon as he exits, the TARDIS is consumed by vines. He meets a taxi driver named Charon, who takes him on a drive to meet the ruler of this land. The Doctor has already forgotten much, including his own identity and mission; Charon says this is normal here in the land of the dead, and that it will come back to him eventually. Along the way they suffer an attack from the Cyberleader from the island, who apparently is now also dead. Charon drops him near a castle floating in the sky, which the Doctor enters. He suffers another attack on his identity, but refuses to believe he is dead; the memory of Sarah and Harry returns to him and strengthens him. He finds them in a strange ballroom, dancing among a crowd; but this all serves to try to convince him he is dead, and therefore no longer the Doctor. He sees Harry and Sarah leave with a young man, purportedly his next self; and he begins to lose heart. However he meets a young blonde woman—his Thirteenth self, though he doesn’t know it—who distracts and frees him from the influence of the place.

The Doctor then meets the local ruler, Scratchman, who is ostensibly the Devil himself—which makes this place Hell. Scratchman offers to return the Doctor to his own universe and place, if the Doctor will open the way for Scratch to follow—after all, he claims he has made this a better realm, and claims that, much like the Doctor, he would like to do the same in the Doctor’s universe. The Doctor refuses, leaving a battle between them as the only alternative. He recovers Harry and Sarah, but they find themselves battling Scratchman on a huge game board, which is defined by Harry’s memories and thoughts. The Doctor forces a stalemate before Scratchman tries to change the rules. He loses Harry; but Harry makes his way inside the castle, and sabotages the engines that keep it afloat. The Doctor nearly dies in the crash, but is rescued by the Cyberleader; it tells him that its own form of Hell is being forced to do good deeds, and feel the emotions thereof. It states it will not do so again, and then disappears.

The Doctor now knows Scratch’s secret: He feeds on dreams and feelings and memories. The engines were powered by the consumption of the dreams of those trapped in this world; but that source of power is running out. Scratch begins to consume the world itself in an effort to destroy the Doctor; he creates replicas of many creatures the Doctor has faced and defeated, and sends them after the Doctor. He also creates scarecrow replicas of the Doctor’s previous three incarnations, to judge and dishearten the Doctor. The Doctor and his friends meet up with the islanders who died as scarecrows; the islanders know they’re doomed, but they choose to go down fighting, and stand against the army of monsters, allowing the Doctor to make it back to Scratch’s office in the ruins. Scratch reveals that what he really wants—the thing he believes will give him true power over the Doctor—is to know what the Doctor is afraid of. The Doctor tells him (although we, the readers, are not told). Whatever it is, Scratch is overwhelmed by it, and falls into fear himself. He flees from the remains of the monster army, before falling into a chasm to escape them. Quiet falls over the remains of Hell, and the three travelers—the only survivors—find the TARDIS, now restored, and return to their own universe.

Back at the trial, the Time Lords are unhappy with the outcome; but as the Doctor did save the universe again, and sealed the rift to Scratchman’s universe, they have no grounds to convict him. The Doctor concludes his lesson to them by telling them that what Scratchman wanted was not truly the Doctor’s fear, but rather, the Time Lords’ fear. He tells them they are afraid of change; and tells them to take action when the universe is under threat. He then walks out of the courtroom.

Later, while taking a much-belated break, the Doctor talks with Sarah about her experiences in the infected TARDIS, and about the future, and the knowledge of it. He meets briefly with the Thirteenth Doctor again, and talks about their own mutual future. He ends, much later, with a reading of a note from Sarah Jane, who is no longer with him.


I’m going to change up my usual order of things, and list continuity references now, rather than at the end. There’s a method to my madness, so bear with me:

Continuity references: The Doctor has previously been tried (The War Games), and will be again, several times. He mentions the Master’s doomsday weapon (Colony in Space). He mentions several recent encounters: professors (Robot), giant wasps (The Ark in Space), “militant potatoes” i.e. Sontarans (The Sontaran Experiment), mad scientists (Genesis of the Daleks), shapeshifters i.e. Zygons (Terror of the Zygons), and androids (The Android Invasion). Sarah Jane has her own mentions: her aunt Lavinia (The Time Warrior, later in A Girl’s Best Friend), a space station (The Ark in Space), a minefield (Genesis of the Daleks), a mummy (Pyramids of Mars), an android duplicate (The Android Invasion), a stuffed owl (The Hand of Fear), a garden centre (A Girl’s Best Friend–Sarah is seeing possible futures at this point), an exploding school (School Reunion) and a young boy (Luke, Invasion of the Bane et al.). She believes, erroneously, that the Jigsaw Room floor is a tile trap (Death to the DaleksThe Pyramids of Mars). The Doctor mentions the Loch Ness Monster (Terror of the Zygons) and thinks about the Daemons (The Daemons). Scratchman pulls several monsters from the Doctor’s memories: Giant spiders (Planet of the Spiders), Macra (The Macra Terror), Mechonoids (described but not named; The Chase), a giant robot (Robot), giant maggots (The Green Death), brains in jars (The Keys of Marinus), and a metal city of Daleks (described but not named; The Daleks).


Audiobook cover

How many times has the Doctor met the devil?

It’s a good question! And admittedly, one that’s difficult to pin down. A statement that repeatedly comes up in Doctor Who is that Earth’s history of belief in the devil has been greatly influenced by outsiders. The Daemons from the planet Daemos are once source (The Daemons), as were the Demoniacs (Mean Streets). The Greek immortal Hades called himself Satan (Deadly Reunion), as did Sutekh (Pyramids of Mars). The Beast claimed to be Satan, and certainly looked the part (The Impossible Planet/The Satan Pit). (This information taken from the TARDIS wiki, not assembled by me.)

And here we meet another candidate, Scratchman. This being comes from outside our universe, from a related realm that poses itself as the Land of the Dead. It’s actually unclear whether Scratchman originated there, or whether he came from somewhere else; the Doctor makes it clear that Scratchman’s rule had a definite beginning, and Scratch himself doesn’t deny it.

Scratch’s claim to being the devil is pretty good, as compared to some of the others. The dead really do appear to go to his realm (or at least some of them; this isn’t the only afterlife we’ve ever seen); while there, the Doctor meets the dead villagers that he previously encountered in life, and both he and they seem convinced that the villagers are both real and dead. Even more convincingly to me, the Doctor never denies that Scratch is exactly what he says he is; in fact the Doctor supports that claim, treats him as though he is in fact the Devil, and even later warns the Time Lords that they should fear Scratchman. When the Time Lords mock him for this, he doubles down. Is Scratch truly the devil? It’s up to the reader in the end; but the Doctor himself seems to think so, at least to the limit that he acknowledges that the devil could be real at all.

The Doctor purports to give the Time Lords a lesson in fear; indeed, all the interludes set during the trial are themed around various aspects of fear. The overall lesson seems to be that fear is a tool, and if you can’t overcome it, someone will use it. That lesson cuts in two directions; the Doctor urges the Time Lords to overcome their own fear of change and inactivity so that it can’t be used against them, and so that they don’t fail in their responsibilities to the universe; but at the same time, it’s clear that he overcomes his own fear. He does this not by denying it, but by embracing it and using it to motivate himself. We’re never told exactly what the Doctor fears, but it must be something great indeed, if in the end it drives even his enemy to extremity. (The novel doesn’t take the easy way out here; it would be so simple to say that “The Doctor fears losing his friends” or something sentimental like that, but the book explicitly avoids that option—rather, he makes it clear that he loves his friends, and that love is a potent force for good.)


Now, a bit of theorizing. Let’s think about when this story takes place. Based on the list of continuity references above, it’s clear that this story happens near the end of Harry’s travels with the Doctor. In fact, his last televised adventure, The Android Invasion, has already taken place; but the next story, The Brain of Morbius, does not feature Harry, and gets no mention here, implying this story takes place immediately between those two adventures. (There are mentions of later episodes, but they are explicitly images of possible futures, not memories of things already past.) I think that the Doctor’s “lesson” to the Time Lords here is specifically a reaction to the events of Genesis of the Daleks. The Doctor has always considered the Time Lords to be stagnant, standoffish, and set in their ways, qualities he abhors. I think that when they began to interfere by proxy, during his third life, he grew frustrated with their efforts to use him to do things they themselves considered beneath them; and I think this came to a head in Genesis, where he finally refused to comply. Thus he comes here and lectures them about their habit of ignoring their responsibility to the universe, because even in sending him out to do their dirty work, they’ve been refusing to get involved themselves—using him as an “out”, as it were.

But: remember that there’s also a popular theory that the events of Genesis constituted the opening blow of the Time War. My addition: What if the reason the Time Lords began to fight the war directly, is because of the Doctor’s speech here? What if he prompted them to take direct action—and in typical Time Lord fashion, they screwed it up, and started a war they couldn’t win? Essentially, the Doctor called them cowards and dared them to do it. A lesson in fear, indeed! Or at least it’s frightening to think of in hindsight.


The highlight of the story is the perspective. The first person perspective is a unique addition to this story; and with the Fourth Doctor as a narrator, it becomes an interesting look into his thoughts. He’s conceited, there’s no doubt about that; but when coupled with his obvious love for life and sense of humor, it comes across as charming rather than arrogant. This is the Doctor in his youth; I’ve long suggested that given Time Lord lifespans, the fourth incarnation is the Doctor’s adolescent period, where he’s rebellious and wild, but also still has much to learn. This story seems to bear that out. He’s not the jaded and cunning Doctor of future incarnations; he’s sarcastic but not cynical, and even in some ways naïve. It’s refreshing, but it’s not the view of the Doctor that we would get through companion eyes.

Overall: What a fun story! It’s not the most serious adventure out there, though neither is it absurd, despite the premise; it’s just serious enough. And that’s a good place for a Fourth Doctor adventure to be. It’s also highly sentimental; one gets the impression it’s Tom Baker’s memorial to Ian Marter and Elizabeth Sladen, both of whom are referenced fondly, both in and out of character. If you have the opportunity, check it out, and enjoy the trip.


Next time: Well, this isn’t part of a series, and standalone novels are rare among my reviews, so…we’ll see? I may cover the Nest Cottage trilogy; for anyone interested, you can obtain the entire set for one price on Audible, or if you have an Audible membership, for one credit. Regardless, whatever we cover, see you there!

Doctor Who: Scratchman may be purchased in print form from Amazon and other booksellers, and in audio form from Audible and other audio distributors.

The TARDIS wiki’s treatment of the novel may be found here.

Audio Drama Review: Minuet In Hell

We’re back, with another Big Finish Doctor Who audio drama review! This week, we’re looking at Main Range #19, Minuet In Hell, featuring the Eighth Doctor and Charley Pollard. Let’s get started!

Spoilers ahead for anyone who has not listened to this audio drama!

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It’s the very early twenty-first century, and the USA is about to admit its fifty-first state, Malebolgia. Two men are competing to become its first governor: former senator Waldo Pickering, and television evangelist Brigham Elisha Dashwood III. However, Dashwood is more than he seems: he is the head of the American branch of the infamous Hellfire Club, composed of the rich and powerful…all of whom are dedicated Satanists. Dashwood is also the founder of a psychiatric institution, the Dashwood Institute—and its newest inmate is the Doctor. If only he remembered who he was…and if only he didn’t believe he was in Hell…

Elsewhere, Charley Pollard has also lost her memory, though bits of it begin to return. She is in a dormitory full of other girls around her age, including one Becky Lee Kowalczyck. They were brought here against their will, and are in the charge of Dashwood’s associate (and secret mistress), Dr. Dale Pargeter of the institute. They will serve as hostesses—with all that that may imply—at the Hellfire Club.

The next day, a group of VIPs tours the Institute, including Senator Pickering, and one Alistair Gordon Lethbridge-Stewart, who is here to assist with Malebolgia’s statehood process (having successfully helped Scotland with a similar procedure). Dr. Pargeter shows them the PSI-859 psionic matrix facsimile regenerator, the technological marvel that she uses to cure her patients, which stores and transfers memories, allowing the then-empty brain to have surgery without risk of personality damage. On the way out, they encounter two patients who were brought in the night before. One, dubbed “John Doe”, declares himself to be Gideon Crane, a reporter from the London Torch; his lucidity gets him freedom from the cell. The other, dubbed “Zebidiah Doe” for differentiation, is the Doctor; but he doesn’t remember himself, and the Brigadier has never seen the Eighth Doctor’s face. Both of them, however, seem to vaguely recognize him. He leaves before pursuing it further. As, elsewhere, the Hellfire Club prepares to literally summon up demons, “Zebidiah” is taken to the machine, where Crane is now assisting, and connected up—but his mind overloads the machine and causes feedback to strike them both.

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Zebidiah flees the facility, and runs into the Brigadier in an alley. They are chased by quite literal demons, dispatched by Dashwood, who has come to distrust the Brigadier. Elsewhere, Becky Lee and Charley escape the club; Becky Lee makes a strange chant that disables a number of members. Becky says that she is a member of the Order of Saint Peter, which exists to fight supernatural evil; however, she is also the granddaughter of Senator Pickering. They go to him for help. Meanwhile, Pargeter confers with Dashwood, and tells him about Zebidiah, which leads him to make new plans for the escapee. He calls off the demons, which have just cornered the Brigadier and Zebidiah. However, not realizing the connections, the Brigadier returns the weakened Zebidiah to the Institute. He returns to his hotel and requests additional help from his superiors, who have secretly sent him to investigate Dashwood and the PSI-859 machine; but they are indifferent to the situation.

Becky Lee shows Pickering a confiscated security tape from the club, which is quite incriminating. Pickering takes it to blackmail Dashwood, but Dashwood drugs him, and summons a demon named Marchosias to possess the senator, using the machine to extract Pickering’s mind first. He returns to Pickering’s home, where Charley’s memories have returned. In discussion, he tells them about Lethbridge-Stewart, who may connect Charley to the Doctor. Meanwhile, “Zebidiah” is back in his cell, as is Crane, and a few of his memories have returned. However, Crane believes that HE is the Doctor…and he has more of the Doctor’s memories than Zebediah does.

Pickering smashes through Charley’s bedroom door and attacks her. Charley realizes he is not actually Pickering anymore; and she smashes a window and flees. With no idea where to go, she returns to the Hellfire club for clues. Meanwhile, Becky finds the Brigadier and exchanges stories with him; he is intrigued by her story, and suggests that the Doctor may really be involved. The Doctor, however, is indisposed; Crane is telling him a very convincing tale, in which Zebidiah was too close to the TARDIS when it crash-landed, and absorbed some of the Doctor’s memories. Zebidiah doesn’t believe it, but he agrees to use the machine to re-establish his own memories. When Pargeter comes for him, he doesn’t realize that she and Dashwood intend to split his mental capacity among twelve other patients…

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Charley is captured by Pargeter and Marchosias. She is put back in with the other girls; but when Dashwood sees her, he separates her out to be a central figure in his rituals—the Queen of Hell, who will be possessed by a demon and married to Dashwood. Pargeter becomes jealous, and her jealousy is fed by Marchosias. Charley, however, is beginning to suspect that Marchosias is not what he seems…

Becky Lee and the Brigadier return to the Institute. They are caught by Pargeter [who seems to be EVERYWHERE—my note], and demand to see Zebidiah, but are denied. They see Pickering/Marchosias on television, withdrawing from the gubernatorial race. Becky Lee slips away, and meets Crane, who still thinks he is the Doctor. They come up with an escape plan. Meanwhile, Pargeter uses the machine on Zebidiah. At the Club, Dashwood displays Charley, and uses a device called a trans-D, which sends her through a dimensional interface to Hell…

In the Institute, each of the dozen new patients believes he is now the Doctor. Becky Lee sets off a fire alarm. Gideon escapes his cell and heads to the laboratory. Pargeter meets Marchosias, who tells her the alarm is false, and that Dashwood has abandoned her for Charley. Pargeter leaves as Becky Lee arrives, and realizes that Pickering is not himself—just in time to be knocked out by Marchosias. At the club—or rather, in Hell—Charley is surrounded by demons; but they reject her, as they claim she is already dead. She awakens back in her body at the club. The Brigadier arrives to rescue her, and confronts Dashwood. Pargeter arrives as well, and the Brigadier and Charley escape as she occupies Dashwood, but he then expels her from the room. He prepares to make a public broadcast regarding securing the gubernatorial race.

Crane finds Zebidiah, who claims to be an empty shell now. Crane genuinely wants to help Zebidiah re-establish his own memories (as opposed to the Doctor’s), and hooks him back up to the machine; but the minds already connected are not strong enough to trigger the machine. Crane connects himself—and Zebidiah forces him to stay connected. His memories of his life as the Doctor are stripped away, along with all the fragments in the other patients, and returned to Zebidiah, their rightful owner. Gideon and the others are knocked out, but restored to themselves. Moments later, the Brigadier and Charley arrive, and have a reunion with the Doctor.

Becky Lee wakes up, and finds that Marchosias has chained her up in the club’s torture room. She tries to turn his fears against him, as she did to the other clubgoers on the first note, but he has no fears to exploit. Pargeter bursts in, angry and full of fear; as Marchosias feeds on such emotions, he is enthralled, and pushes her to vent her rage on Becky Lee. Becky Lee is forced to turn Pargeter’s fears against her, and the woman’s heart gives out, and she dies.

As Crane recovers, the Doctor rewires the PSI machine to return all its stored psyches to their proper owners, even over a distance of a few miles. Crane, with some residual memories from the Doctor, is able to operate the machine when signaled to do so. The others go to deal with Dashwood, and Crane sends Pickering’s mind back to his body. This expels Marchosias, just as he is about to attack Becky Lee with a chainsaw. Crane then sabotages the machine.

The Doctor, the Brigadier, and Charley meet Dashwood at the broadcast studio, but the Brigadier collapses as they enter, apparently worn out. The stage manager, Scott, escorts him to the control room to cool off. The Doctor confronts Dashwood, who arrogantly brags about his plan; but unknown to him, the Brigadier has activated the equiptment, and Dashwood’s “confession” went out live on national television. In a single moment, he has destroyed his own career. While he won’t be arrested, the investigation that will surely result will spell the end of both the club and the Institute. Outside, they meet Becky Lee and Pickering; and Becky has the trans-D device. Dashwood snatches it away and flees, threatening to send anyone to Hell if they interfere. Also, Charley realizes that the displaced Marchosias has to have gone somewhere—and Crane is with the machine…

They chase Dashwood back to the lab, and barely manage to save Crane from Marchosias, who takes form of his own. Dashwood intends to use the machine to place himself in Marchosias’s body and rule Hell. However, Marchosias is not a demon; he’s a Psionovore, a creature from a realm of cometary dust, which feeds on negative emotions. Drawn to Earth by the Hellfire Club, he appeared as a demon to deceive Dashwood, giving him the design of the machine in order to stir up more trouble and give the Psionovores a continual feast. He’s feeding now, and Crane admits that he set the machine to overload. The Doctor and his friends flee; Dashwood fires the trans-D at them, but its interaction with the adjacent PSI machine causes everything in the lab to be swept back through the dimensional gateway to the realm of the Psionovores. The others escape, but Marchosias and Dashwood are pulled in.

The Doctor has a brief moment of reminiscing with the Brigadier, and then he and Charley leave so as to avoid any questioning. In the TARDIS, Charley asks what the Psionovores meant when they said she was dead—but he dismisses it as nonsense, and they are off again.

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This story is a first for me: An audio that I didn’t like at all. I’ll go ahead and make my complaints up front, and then list some good points; I don’t want to ruin the experience for anyone else. As I understand it, the audio was well received in general. It’s over the top in many ways; in addition to lasting approximately two and a half hours (very long for a main range audio!), it drags in places and races in others. Set in America, its characters are mostly caricatures, and painful to listen to; I don’t know where exactly Malebolgia is supposed to be, but it appears it’s in the deepest, darkest, most stereotypically hokey part of Texas, a region which I am reasonably sure doesn’t really exist in real life (not Texas, just that part of it). In a recent comment on one of my other posts, someone compared Elisha Dashwood (or maybe Waldo Pickering, it’s hard to say) to Foghorn Leghorn, and as much as I hoped it was a joke, it seems to be an accurate assessment.

It’s a caricature of Satanism as well; and though I am a Christian myself, and don’t want to lend too much credence to Satanism, at least we can go for believability. The members of the Hellfire Club are a cartoonish version of Satanists; they unironically substitute satanic references for common theological ones (e.g. “Lucifer, no!” instead of “Lord, no!”) and engage in literal drunken orgies (slightly glossed over for presentation, but only slightly). I won’t get into the demon-summoning rituals, as those at least make sense in context; but Marchosias is a joke in nearly every respect. Even the name of the prospective state, Malebolgia, is a reference to Dante’s Inferno; that’s perhaps one Hell reference too many.

The story is not kind to the Doctor, dragging out his ordeal in the institute until the final chapter. Even then, it gives no good explanation for how he conceived and executed his plan to recover his mind, as his brain was ostensibly blank at the time. Really, this story is far more the Brigadier’s story, and Charley’s, than the Doctor’s; that’s not a bad thing, of course, but it seems strange in the execution. This isn’t the Brigadier’s best outing, though it’s not bad (really, no Brigadier story is bad on that count, in my opinion). It’s late in his lifetime, but it seems that he is still taking on the occasional undercover assignment (see The Spectre of Lanyon Moor and Battlefield for comparison). Charley puts in a good performance here, recovering her memories in much better fashion than the Doctor, and accomplishing a fair bit on her own; but I can’t help feeling that we’ve seen this before…oh, wait: she’s becoming Lucie Miller. That is, the idea that there’s a terrible, time-related secret about her, which the Doctor is covering up, has been done before. (I realize that this audio predates Lucie’s appearance, but in my own listening, I came to Lucie first, so it’s a bit backward for me.)

Perhaps some of this is understandable, given that this is not an original Big Finish story. Instead, like The Mutant Phase, it’s an adaptation of an Audio Visuals story by the same title; in fact, the Psionovores originate from yet another Audio Visuals story, Cloud of Fear, by Alan W. Lear. It’s unfortunate that this story plays out badly, when The Mutant Phase was so good; but not everything can succeed, I suppose. It’s impressive that we’re almost twenty stories in before hitting a dud, at any rate.

On the positive side: This story gives a nod to movie companion Grace Holloway, who can’t be properly used by Big Finish due to licensing issues (she is mentioned by Crane, drawing on the Doctor’s memories). Ramsay the Vortisaur features here for what I imagine is the last time; in fact, an accident during his release to the vortex is what precipitates the TARDIS crash that begins the adventure. There are many, many real world references, tying this story firmly to real world continuity (with the exception of that pesky 51st state). There’s a veritable feast of references to past stories and companions, many of which are mentioned by Crane (and more than I have time to mention right now, which bothers me, but you can check the wiki and discontinuity guide entries if you’re curious). The references cover all media, from television to audio to novels (perhaps I shouldn’t say “all”; not sure about the comics). Interestingly, there’s at least one direct future reference, as one of Crane’s questions to the Doctor involves the events of the very next audio, Loups-Garoux (I won’t give the details, as I’m covering it next week). Less specifically, it’s reminiscent of a few particularly good television stories: the Institute scenes and the machine are strongly reminiscent of The Mind of Evil, to the point that I briefly thought Crane might be the Master; and Crane’s acquisition of the Doctor’s memories is very similar to Jackson Lake in The Next Doctor.

So: Not a particularly good story, in my opinion, but with a few good points; and it is probably necessary for future stories involving Charley. Check it out; opinions may vary.

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Next time: It’s a busy week; tomorrow (if I have it ready in time), we’ll look at the VNA novel Cat’s Cradle: Time’s Crucible. Wednesday will have the second BBC Demon Quest Fourth Doctor adventure, The Demon of Paris; Thursday will have the Tenth Doctor’s contribution to the Destiny of the Doctor series, Death’s Deal; and Friday, we’ll continue Series Three with Human Nature, The Family of Blood, and Blink. Thanks for reading! See you there.

All stories featured in this series may be purchased from Big Finish Productions; this story’s purchase page is linked below.  This and many other selections may also be found on Spotify and Google Play.

Minuet in Hell

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