Seasons of War Mini-Review 42: The Moments In Between

Continuing my series of mini-reviews on the short stories to be found in the charity War Doctor anthology, Seasons of War, edited by Declan May and published by Chinbeard Books.

Seasons of War cover

The Moments In Between takes place during the events of Engines of War, at an unspecified point between chapter seventeen—where Cinder is seen to acquire one of former companion Sam Jones’ Greenpeace t-shirts, which she wears in this story—and chapter nineteen, where the Doctor and Cinder retrieve Borusa, the possibility engine, who is not present on the TARDIS in this story.

The War Doctor’s latest companion, Cinder, finds him in the TARDIS console room. He and his machine seem equally tired, and she can’t blame them; how long have they been fighting this war, anyway? Even her little part has dragged on for years. She knows how it can bleed people dry. She interrupts his concentration and asks if he has bad news (and of course he does; when is it ever good news anymore?). He’s diverted for a moment, however, when she comments offhandedly that it’s been a very long time since she heard good news, or saw something beautiful. That, he decides, is one tragedy too many for today; and so he leads her further into the TARDIS.

With a shrug, Cinder did as he said. “Where are we going?”

“To see something beautiful,” he said.

The TARDIS itself is beautiful enough, in its own way. The Doctor leads her through galleries of paintings, past flowing fountaiins, and even through an ancient wood and a field of flowers. How there can be nature inside the TARDIS, she doesn’t know, but she lets it pass for now. And yet, none of this is his destination. After an hour of walking, he leads her to a bright corridor, paved in irregular flagstones, lit with lanterns strung from cables like an alley in some lost-but-exotic city. On each side of the corridor are a variety of doors. She is surprised to learn that everything she has seen is still not what he meant when he said “something beautiful”; his goal, it seems, is behind these doors. He points her to the nearest one and tells her to look inside.

She pulls the weathered oak door—a church door, she thinks—open.

Inside, she is stunned to find an ancient landscape. Giant ferns wave in the breeze under the light of twin stars. Another planet—altogether too close—can be seen in the sky, bracketed by pink clouds. Strange creatures inhabit the puddles at her feet. This, the Doctor explains, is the Sense Sphere, the home of the Sensorites, at the moment of its birth—the moment that race came into existence. It’s complicated, though he tries to explain; the planet is both here and not. This is no holograph, but the moment itself, snatched from reality in the moment before its destruction. Why? He names any number of reasons: Preservation, freedom, a second chance, a personal rebellion. And there is more.

Door after door, the Doctor walks Cinder through moment upon moment that he has taken from the fabric of the universe. Cinder sees a Menoptra take wing. She sees the Nestene Consciousness awaken for the first time. She sees a Sarkovian Death March. The list goes on, and she knows she could go on forever. Finally she sits down and asks the Doctor the question that springs to mind: “You did all of this?”

The answer is unexpected. No, he tells her, he doesn’t do this. He simply found it here one day. It’s the TARDIS who does it; the TARDIS takes it upon herself, in the moments in between all the fighting and running, to capture these moments before they are lost forever. It’s not his reasons that matter, but hers; it’s her rebellion, because she hates the war, hates even the concept of it. When he mentioned a second chance, it was what she, the TARDIS, was hoping for. These moments may be the seeds that restore the universe one day. And Cinder agrees; it is beautiful.

There’s more, though. The Doctor points her attention to a small door, one that looks suspiciously like a homestead door on Cinder’s own world of Moldox. She could stay here; the TARDIS would allow it, as it seems to like her. She could avoid the fighting. She deserves it, or so the Doctor tells her. And tempting it is, she admits to herself.

But, no. Not while the Daleks remain. Not while people continue to die. She can’t be simply part of the TARDIS’s collection while there is a universe burning, a universe to save. She may not have to go on; but neither does the Doctor, and yet he does it anyway. So will she. After all, the new door, the Moldox door, will keep; she’ll be back soon enough. Won’t she?

I’ve previously reviewed the novel Engines of War, which serves as a parent work to this story; you can read my review here. I’ve often wondered if this story was a deleted scene from that novel, or if it was written separately. It’s a little difficult to fit it into the published version of the novel’s text; one can mostly point out where it should fit, as I did at the beginning of this entry, but the text isn’t written with any gap that would accommodate it. Regardless, it’s a good and sentimental story; and with that novel’s placement almost immediately (as far as we can tell) before The Day of the Doctor, this is very likely the Doctor’s last chance to, well, be the Doctor before he uses the Moment. Spoilers for anyone who has not read the novel: it’s Cinder’s death shortly after this scene that prompts his famous declaration of “No More”, leading him to use the Moment and end the War. That death also turns the ending of this story, and Cinder’s promise to return, into a melancholy bit of foreshadowing, which would be lost on anyone who has not read the novel first.

Although her time with the Doctor is brief (and, unlike other short-term companions, bracketed in such a way that it would be very difficult or even impossible to give her more adventures), Cinder is a companion of whom I’ve grown fond. She is very much a NuWho companion; she is far from the screaming damsel that so many classic series companions were. If you’ll allow me a bit of creative retconning, one might even argue that she is the template for NuWho companions; the powerful impact she has on the Doctor in this one short adventure, which takes place very shortly before his regeneration, sets the tone for the kind of female companions he seeks out for centuries to come. Still, her story as a whole is tragic: born and raised on a Dalek-occupied world, lost her family and friends at a young age, pulled into the resistance, spent her life killing Daleks, and then died after a single trip with the Doctor. It’s a level of grimness that is appropriate for a Time War companion; but it only highlights the need for a story like this one. Put simply, Cinder deserves to catch a break for once.

As much as this is Cinder’s story, it’s also the TARDIS’s. NuWho, of course, established that the TARDIS is a character as much as the Doctor; classic Doctors treated it like it was alive, but that was just an affectation, where the revived series canonized the ship’s sentience. (I am aware that other media took that route much earlier; I’m thinking specifically of the television series here.) Further, we’ve seen in stories like The Name of the Doctor that the TARDIS has strong opinions and the power to express them. I like the fact that the TARDIS is essentially a pacifist; she believes in standing up for what is right, but she hates the fighting. (We had an earlier hint of this in Fall, when the Doctor told the Brigadier that he was forced to deactivate the telepathic circuits in order to circumvent the TARDIS’s disapproval of his destinations.) I very much like the idea that, in a time of war, she rebels by saving peace and beauty. While I don’t see any indication that she must actually use these “seeds”—it appears that the sealing away of the War is sufficient to restore the timelines—it’s a beautiful idea. In the process, we get references to several stories from long ago, including The Sensorites, The Web Planet, and several stories involving the Nestene Consciousness.

We have one more story to cover within the Time War itself; but chronologically, we’ve reached the end of the War, as the next story takes place much earlier in the War Doctor’s timeline. It’s been a long ride, but a good one, and soon the War Doctor can rest. I recommend reading Engines of War for the sake of context, and then wrapping up the War Doctor era with The Day of the Doctor. Thanks for following along!

The Moments In Between was written by George Mann, with art by Paul Hanley; at the artist’s request, I am unable to include the art here, but below I have included a related piece which can be found on his DeviantArt page. Next time: Prologue – The Horde of Travesties, by Declan May. See you there!

Forged in fire

Seasons of War: Tales from a Time War is now out of print, but more information can be obtained here, here, and here.



Seasons of War Mini-Review 21: Guerre

In memory of author Alan P. Jack, whose passing on 18 April 2017 was announced yesterday, I am taking a step out of the normal order today and looking at Mr. Jack’s entry in the Seasons of War anthology, appropriately titled Guerre. The story is currently available online here. (For the sake of clarity, I’ve assigned this review the number it would have—21—if I were reviewing it in its proper place in the final edition of the anthology.)

Seasons of War cover

The War Doctor is fleeing yet another battlefield. As he takes shelter in his TARDIS, he takes a glancing blast to the hand from a Dalek, but manages to escape. He lands in a field, and manages to stagger out before the pain overtakes him, and he blacks out… Later, he awakens in a country barn, in the company of a Frenchwoman named Corrine. The year, he learns, is 1917, and Europe is engaged in the Great War. Corrine lives alone on her family farm, her mother having passed away the previous year. Her brother, Vincent, has gone to the war. She takes the War Doctor—who calls himself “John Smith” for an English soldier lost from his platoon. She binds his hand, and escorts him to the farmhouse for some soup; but along the way, he notices bootprints in the snow, prints that match neither Corrine nor himself. Inside, Corrine is overjoyed to find a young, wounded man at the table: her brother, Vincent, returned from the front. When he learns of the “Englishman”, John Smith, he calls him a deserter; in the face of the hostility, the Doctor bows out. He stops, however, when the young man calls him “Doctor”, and mentions his TARDIS.

The Doctor warns Corrine away from the young man, who is not what he seems. Confused, she refuses to run; it costs her life. The young man begins to twitch, and a black Dalek eye bursts from his forehead. A blaster emerges from his hand, and before the Doctor’s eyes he exterminates Corrine. The Doctor confronts him, knowing what happened; a Dalek flice, filled with nanodevices, followed him into the TARDIS, and then here. From there, it found, infected, and possessed Vincent, who was returning from the front. It ignored Corrine, however, because it was not sent to kill the Doctor, but to manipulate him. The Dalek Emperor possesses a possibility engine, which predicts that the Doctor can be made to serve the Daleks in a future battle, based on what happens here. Having reached the end of its mission, the converted Vincent extrudes a small explosive, which blows up before his face, badly wounding him. At the same time, the Dalek tech in him time-shifts back into the vortex, leaving him bleeding from his wounds. However, the Doctor realizes that his life signs are in fact strengthening; some residual tech will keep him alive, but suffering. More, it is causing Vincent to relive what happened, providing constant psychological torture—and worse yet, he has also been implanted with knowledge of future wars on Earth, and of the Time War itself, adding to his horror and agony.

There is no way to save him, and he begs the Doctor to put him out of his misery. This, then, is the trap laid for the Doctor by the Daleks. To prepare him to serve them, they must break him; and to that end, they have set him up to face the one thing the Doctor can never do: kill an innocent human, and worse, one who begs for it. But, the Daleks have failed; for there is one thing they have not considered: The Doctor is not here. Only the Warrior remains. Taking the iron grate of the nearby stove, he beats Vincent to death; and in the nearby village, the sound is heard, so loud that the villagers suspect the war has reached them at last. They will never know how right they are.

I was not fortunate enough to make contact with the author, Alan Jack, before his death; as it occurred almost a month before it was made public, there was little chance of that. By all accounts he was a wonderful and thoughtful individual, and will be greatly missed. Perhaps it’s appropriate, then, that this story is one of the saddest entries in the anthology. If ever we needed confirmation that the Warrior is truly not the Doctor—as he said—it is here; but that is no cause for celebration. It’s a cause, instead, for mourning. It’s a curious thing, but we rarely see the War Doctor actually fight, personally; it’s often implied that he does so “off-camera”, but truthfully he is more strategist than warrior. It’s not so here; he very much takes matters into his own hands, and kills with those hands. I’m not sure I’d call it a battle, but it’s still a blow struck at the Daleks, by defying their plan.

I like this story because it’s something of a link between the past and the future. Although the Classic series certainly gave us human slaves to the Daleks, and even gave us humans converted INTO Daleks, it was NuWho—the revived series—that gave us the human-Dalek sleeper agents, with eyestalks forming from the forehead and blasters in the hands. This, then, would be chronologically our first look at such a thing, although the Doctor is clearly familiar with the technology. The story even gives us an explanation of how it’s done; the Dalek Infiltration Flice is a drone which infects the target with nano-pods that covert and create on a molecular and cellular level, much like the Borg in later versions of Star Trek. It’s a perfectly sensible idea; I suspected something of the sort as far back as the sleeper agents’ appearance in The Time of the Doctor. The story is also notable because it name-drops a number of important Time War events, some of which have been covered in this anthology, and some still to come: the massacre at Karn (Karn), the Battle of Infinite Regress and the Battered Bride (Corsair), the Butcher of Brisbane (not a Time War story, but another atrocity found in the audio drama The Butcher of Brisbane), the Nightmare Child (The Nightmare Child, still to come, with mentions elsewhere), the Horde of Travesties (Prologue – The Horde of Travesties, still to come, mentions elsewhere), and Moldox and a Possibility Engine (Engines of War). There are hints of things to come, some of which have been suggested ever since the earlier mentions of the Time War in the revived series; but here, we will finally get some payoff. It’s worth noting that some of these things are still in the future for the Doctor, as well.

Overall: A very sad, but very captivating story. It’s unfortunate that we have occasion to look at it today, out of order; but I can only credit the author with producing a fantastic piece of work. I’m just sorry he can’t be here to appreciate it with us.

Guerre was co-written by Alan P. Jack and Declan May. Next: We’ll get back to the regular order with Here Comes the Doctor, by Christopher Bryant (and if you’re reading this on my website rather than on Reddit, I’ll ensure that the previous and next buttons maintain the correct order of the anthology once I have the relevant entries posted). See you there.

Seasons of War: Tales from a Time War is now out of print, but more information can be obtained here, here, and here.



Novel Review: Engines of War

We’re back, with another Doctor Who novel review! This week, I’m taking a brief break from the New Adventures series for a special reason. On Thursday, I’ll begin reviewing the first set of War Doctor audio dramas, Only the Monstrous; I had been planning this for a few months, but with the recent death of Sir John Hurt, it becomes suddenly and unfortunately timely. In conjunction with that plan, I want to take a look today at the first War Doctor story to be released after The Day of the Doctor: George Mann’s novel, Engines of War, which sets the tone for the audios and most War Doctor stories to come. Next week, we’ll return to the New Adventures; for now, let’s get started!

**Spoilers ahead for anyone who has not read this novel!  This novel is a fairly recent addition to the Doctor Who universe, so read at your own risk!**


It is late in the Great Time War.  For more than a century of personal time, the Time Lord once known as the Doctor has thrown himself into the war, destroying the Daleks at every turn—and in the process, losing something of the man he once was.  Now, he leads a fleet of Battle TARDISes into combat against the Daleks near a temporal anomaly called the Tantalus Eye—and narrowly escapes as the fleet is destroyed.

The Doctor (and though he doesn’t want to be called that, let’s face it, we have to call him SOMETHING) crashes on a human colony world near the Eye, called Moldox.  His arrival saves the life of a young freedom fighter named Cinder, but not in time to save her partner, Finch—Cinder is forced to watch as a new type of Dalek destroys him.  But something isn’t right; once he is gone, so are her memories of him.

Cinder goes with the Doctor to the local base of the Daleks; she is reluctant at first, but finds him compelling, for reasons she can only sense, not explain.  Once there, they find that the Daleks have created a new weapon: a version of a de-mat gun, which removes its target completely from the timeline as if it never existed.  As well, the Daleks plan to seed progenitors of this modified Dalek paradigm throughout history, creating legions of Daleks with this capability.  And there’s worse to come:  The Tantalus Eye is no ordinary structure; rather, it’s a fold in spacetime that creates a rupture, leaking temporal radiation into the area.  The Daleks have used that radiation to develop their weapons; and now, they are creating a colossal version at the eye, which will eliminate an entire planet—and they have aimed it at Gallifrey.  In one stroke, they can win the war forever, by removing Gallifrey from history.


The Doctor and Cinder manage to destroy part of the base, freeing many human captives.  They then leave in the TARDIS, heading for Gallifrey.  Meanwhile, the Eternity Circle—the leaders of the Daleks near the Eye—declare that this setback is irrelevant; their plans are ready to be activated.

On Gallifrey, the Doctor and Cinder are met by the Castellan and a Time Lord politician named Karlax, with whom the Doctor does not get along.  They meet with the Lord President Rassilon in the War Room, and the Doctor tells of his discovery.  Rassilon calls a meeting of the High Council, and determines to deploy a superweapon from the Omega Arsenal: The Tear of Isha, a stellar manipulator.  If deployed, it will close the Tantalus Eye forever, but it will also destroy the dozen human-occupied worlds in the vicinity.  Over the Doctor’s objections, the plan is approved.

Rassilon mentions consulting a “possibility engine”, which gets the Doctor’s attention.  Rassilon transmats away; the Doctor follows, leaving Cinder behind.  He finds himself in the Death Zone, outside Rassilon’s former tomb.  Inside, he learns the nature of the possibility engine:  His old mentor Borusa, now rescued from entombment, has been retro-engineered into a being in a state of constant regenerative flux.  His mind is opened to the vortex, allowing him to see all possible futures, and choose the best among them.  Borusa declares that the Tear will work, but that the humans cannot be saved.  Rassilon is undeterred by this.

Back in the Citadel, Cinder is captured by Karlax, and with the unwilling help of the Castellan, he subjects her to a mind probe, seeking to confirm the Doctor’s claims.  He succeeds, but injures her in the process, and hides her in a hidden room behind the council chamber.  When the Doctor returns and cannot find her, he visits the council in a rage, accusing Karlax of harming her; the Castellan caves in and reveals her presence.  The Doctor attacks Karlax, but is stopped by Rassilon; he declares he will stop the Time Lords from deploying the Tear of Isha, as it will make them no better than the Daleks if they kill billions of humans.  Rassilon declares him a traitor and has him imprisoned with Cinder.


It is Cinder who helps them escape; the Doctor’s sonic screwdriver won’t work on the cell lock, but Cinder’s low-tech lockpicking skills will—another testament to Time Lord arrogance.  They elude the guards and escape to the TARDIS, which has been sent to be scrapped.  It can’t escape Gallifrey, as the security protocols have been changed; but the Castellan, knowing the Doctor to be right, relents and allows them to leave, knowing he will be punished and possibly killed.  Karlax meets Rassilon at the possibility engine and finds that the path ahead is no longer clear; the Doctor’s involvement introduces a random factor.  Rassilon sends Karlax, with the help of the Celestial Intervention Agency, to kill the Doctor.

In the vortex, the Doctor finds several tracking devices and destroys them, but misses one planted on Cinder.  Karlax tracks them there, and attacks them with five Battle TARDISes; but they are ambushed by Dalek stealth ships and destroyed.  The Doctor is able to rescue Karlax, who is about to regenerate; he locks him in the Zero Room.  He then infiltrates the Time Lord fleet that is en route to deploy the Tear of Isha into the Eye.  He manages to land his TARDIS inside that of the leader, Partheus; after a quick fight, he takes control of Partheus’s TARDIS and pilots it to a star near the end of the universe, and launches the Tear into it, creating a black hole.  He releases Partheus, and leaves in his own TARDIS—but still has to defeat the Daleks somehow.

The Doctor and Cinder land in the Death Zone.  There they meet several of what Cinder calls “Interstitials”—Time Lords who represent Rassilon’s earlier experiments in creating a possibility engine.  They, like Borusa, are in constant flux, seeing multiple futures.  With their help, the Doctor liberates Borusa from the tomb, but agrees to let him die if he will help defeat the Daleks.  Cinder also sees a possible omen of her own death.


With Borusa aboard, they return to the Eye, and surrender to the Daleks.  Unknown to Cinder, the Doctor unlocks the Zero Room before leaving the TARDIS.  The Daleks take the Doctor and Cinder to the Eternity Circle.  The Daleks there reveal that they have had a plan on standby for the Doctor, whom they call the Predator:  they will lobotomize him, removing his memories and emotions, and make a Dalek of him, creating a more deadly version of the Dalek.  Before they can act, however, the TARDIS materializes around them…piloted by the newly-regenerated Karlax, who is still tracking Cinder.  He attempts to shoot the Doctor, but Cinder jumps in front of the blast, thus bringing about her death as she had foreseen.  The Doctor dematerializes the TARDIS without Karlax, leaving him to the Daleks, who kill him.

As Cinder dies, the Doctor realizes he can save her with the possibility engine.  He flies the TARDIS into the Eye, risking destruction…but he realizes that if he saves Cinder, he will miss his chance to save the billions on the worlds around the Eye.  He know it would invalidate her sacrifice, as well as make him no better than the Daleks or the Time Lords.  He asks Borusa, who is now supercharged by the radiation from the Eye, to enforce a future in which the Daleks do not control the Tantalus Eye or its environs, and in which the new weapons and new paradigm cease to exist.  Borusa releases the power of the Eye, and wipes all the local Daleks out of existence.  The release wipes out Borusa as well.

The Doctor returns to Moldox, and buries Cinder with the remains of her family, whom the Daleks killed long ago.  Standing at her grave, he makes a promise to end the War, encapsulated in two simple words:  “No more.”


It isn’t obvious until the ending, but this story is set very near the end of the War.  How near, exactly, we can’t tell; but knowing the Doctor, it won’t take him long to act on his new resolve to end the war.  I personally like to think that, from his perspective, this story ends just minutes before his actions at the fall of Arcadia (*The Day of the Doctor*); but from Gallifrey’s perspective, it can’t be immediately after, as there is no indication that the Daleks are in a position to attack Gallifrey in the manner we see in that episode.  Of course, it’s a time travel show; the Doctor can skip around as he sees fit.  I do think it’s curious that we never see the General here, or in any of the War Doctor audios I’ve heard so far; he seems to be a pivotal figure on the War Council, but he’s strangely absent.  It’s a pity; I like his character.

More than anything else, this story is an examination of why the War Doctor won’t travel with a companion.  The bottom line is that he fears losing them; he makes vague reference to having lost other companions and friends, and he directly says he can’t bear to let it happen again.  Indeed, it’s Cinder’s death that catalyzes his determination to end the War.  Cinder is truly a case of “right person, right place, right time”; beyond just simply being a companion, her personality sparks the Doctor’s own long-buried persona, and makes him want to, if not BE the Doctor again, at least be LIKE the Doctor again.  That aspect of his internal struggle—that is, his insistence that he can no longer be the Doctor—is actually downplayed here; we’re already at the end of it, and most of the internal debate is long past.  We’ll get much more of it in the audios (where he frequently bellows at anyone who dares to call him the Doctor—there’s none of that here).  Here, that part of him is just a means to an end—it gets him to the point of deciding to end the War.  In the meantime, he focuses more on the companion issue.  Although his time with Cinder is short—less than a full day, relatively speaking—he seems to care for her a great deal, and mourns her death as much as any other lost companion.

This story does a good job of tying in to various past stories.  It’s not just fanservice; it’s all well done.  The core of the Time War is that time itself is manipulated; and it makes perfect sense, then, that many incidents from the Doctor’s life would be mixed together here in a way that seems almost random.  For once, that’s not a flaw, but a feature—it makes sense in context, given the nature of the War.  Some examples:  The Doctor uses his John Smith alias, first seen in *The Wheel in Space*.  He refers to *Genesis of the Daleks*, which the Daleks themselves here state to be the beginning of the war—a theory I’ve always held, but had never seen confirmed in-universe.  The Doctor mentions searching for the Master, who has fled the War (*Utopia*).  The Doctor refers to his past as Lord President (*The Invasion of Time, The Five Doctors*).  Rassilon wears a gauntlet that doubles as a de-mat gun (*The End of Time*); de-mat guns were first seen in *The Invasion of Time*.  The Daleks use glass casings as incubators (*Revelation of the Daleks*).  Borusa is seen (*The Five Doctors*); other stories have given contradictory resolutions for him.  The Moment is mentioned (*The Day of the Doctor*).  The Daleks mention various names for the Doctor, most notably the Predator, first mentioned in *Asylum of the Daleks*; oddly, “The Oncoming Storm” is not used here.  Various TARDIS rooms glimpsed here have featured in other stories.  The Cloister Bell has been seen many times, notably in *Logopolis* and *Castrovalva*.  Skaro Degradations, mentioned in *The End of Time*, appear here; they are retro-engineered versions of Daleks with other capabilities.  Mind probes first appeared in *Frontier in Space*.  Bowships are mentioned by Rassilon; they first were mentioned in *State of Decay*, in use against the Great Vampires.  One of  the cave paintings made by the Interstitials shows the War Doctor and the Moment’s Bad Wolf interface, standing over the Moment’s flower-like button.  Partheus fears a time ram between two TARDISes (*The Time Monster*).  The Zero Room was introduced in *Castrovalva*.  Temporal torpedoes were first seen in the audio story *Neverland*.


Cinder is perhaps the most interesting character here, and much of the story is told from her perspective (of course, this changes at her death).  She strikes me as a bit of a cross between Ace McShane and Amy Pond (and not just with regard to her red hair).  She brings Ace’s resourcefulness, devotion to the Doctor, and readiness for action, and combines it with Amy’s variable temper, quick wit, and tendency to leap before looking.  Although I understand why her death is integral to the story, it’s a shame we won’t get more from her; she’s quite good as a companion, and I’d like to have seen her grow a bit more.  The other supporting characters aren’t as good; Rassilon is pure conniving evil, of course, but the other Time Lords are very much stock characters.  Borusa is nothing new, although his real personality is suppressed here; the other Interstitials are interesting, but don’t speak, and don’t get much screen time.

It will be interesting to see how this story relates to the War Doctor audios.  Series One of the audios, as we will see, will focus much more on the Doctor’s identity, and on how he feels he is no longer worthy to be called the Doctor.  It’s a constant struggle for him; he can’t change who he is, no matter how much he feels he must.  He believes himself a monster, but a necessary one.  We’ll also see some parallels between Cinder and his would-be companion in that series, Rejoice.


Next time:  We’ll return to the VNAs in the novel review series; but as well, in the audio reviews, we’ll look at War Doctor Series One, *Only the Monstrous*!  See you there.

Engines of War may be purchased from Amazon, Barnes and Noble, Books-A-Million, Book Depository, Audible, and many other retailers, in print, ebook, and audiobook formats.