Prose Review: Defending Earth Charity Anthology: Sarah Jane & The Bristolian Vault, by Sophie Iles

We’re back, with another Doctor Who charity anthology review! Today we’re nearing the end of our tour of the Sarah Jane Smith anthology, Defending Earth. You can catch up on previous posts via the links at the bottom of this post. Today we’re continuing the “Family” portion of the anthology with entry number thirteen of fifteen: Sarah Jane & The Bristolian Vault by anthology artist Sophie Iles. Let’s get started!

As always, there will be spoilers ahead! You can find my reason for this in the first entry of this series, linked below. Note that sales for this anthology have now closed, but you can still find a link at the end of the post for the Cancer Research Center, which the anthology supported.

Defending Earth (Cover)

Everything ends eventually; and all children must grow up.

Clyde Langer is no exception. Preparing for university—or more to the point, for getting into university—is possibly the most nerve-wracking thing he’s ever done, and that’s up against facing alien threats ever day! Fortunately, he has Rani Chandra to talk him down, and Sarah Jane Smith to escort him to campus visits. The university they’re visiting today may not be his first choice; but he hears they have a good art program, and he keeps an open mind.

Traffic makes them late, and so they miss the first opportunity for a tour. With time suddenly on their hands, Clyde and Sarah decide to sit in on a rather popular physics lecture—so popular, in fact, that there are warnings to arrive early, despite the lecture hall holding three hundred seats! It’s worth it, though; the tall, grey-haired professor with the Scottish burr in his speech is a captivating speaker, deftly weaving Shakespeare and astronomy and physics into a single speech that is more like a tale, and is utterly engrossing. At the end, there is applause—and Sarah Jane is convinced she’s met this man before. But, where?

The odd sense of déjà vu isn’t the only strange thing here, though. Sarah’s detector wristwatch picks up evidence of alien life…and a strange void in the readings, down in the maintenance sector, a spot where nothing at all can be detected. The alien readings are coming from what is clearly the odd professor’s apartments. Sarah sends Clyde there to investigate, while she goes to check out the void. First, though, she catches the professor on his way out of the lecture and speaks with him a moment. He is brusque toward her, but friendly enough; but as he quickly excuses himself, he calls Clyde by name—a name he really should not know.

Meanwhile, in the professor’s apartments, he closes and locks the door. He is accosted by his butler (as the man thinks of himself), a bald, rotund man with the odd combination of a jovial face and a determined expression. Somewhat chagrined, the professor admits that he is hiding—after all, what else do you do when confronted by your best friend?

Sarah and Clyde have a quick lunch before investigating. Clyde isn’t hungry, and tucks his sandwiches into his pack for later. The duo then splits up, and Clyde heads up to the apartments. He notes that the nametag by the professor’s door says “Smith”—there do seem to be a lot of them about, eh?—and then he eavesdrops a bit on the two men within. When he hears the professor mention Sarah by name, he bursts in.

Down in the maintenance area, Sarah finds something totally unexpected: A large vault door with complex locks. More to her shock, she finds a speaker, which allows her to speak to its interior—and get a reply from a woman with a Scottish accent.

The professor and the bald man quickly explain that Sarah is in danger. They take Clyde with them to find her—and the professor produces a blue-and-silver wand that makes a very familiar buzzing sound. To Clyde’s utter disbelief, he realizes who the professor must be; but there’s no time to discuss it. Sarah is about to do something that everyone will regret, and with the best of intentions. She is about to open the Vault.

With the help of K9 and Mr. Smith, Sarah has obtained schematics for the rather exotic Vault, and she knows what to do. She sets her sonic lipstick building to the correct pitch to open the doors. Meanwhile the woman inside continues telling her about the “crazy man” holding her captive. At last the doors rupture and fall away, and Sarah walks into the white void inside. However, when she is inside, the doors stitch themselves back together, sealing her inside. The woman lowers the light, revealing a lounge with a piano and armchairs, and explains that this is a dead zone, with no signal able to get out. There is something menacing about the woman, but she didn’t entrap Sarah; but no worry—her captor, the professor, will be along shortly to get Sarah out. That is, if the woman doesn’t kill her first.

Clyde and the others race to the Vault door—and find another figure there, one that Clyde knows well: The Trickster. The professor knows him as well, and isn’t afraid. The Trickster admits to luring Sarah into the Vault, and now he offers an agreement: The only way the professor can get Sarah out is to also release the prisoner.

Inside the Vault, the woman talks with Sarah, describing how she and her captor have baited each other across the universe and the centuries. Then she reveals that she knows Sarah’s secret: that Sarah Jane is pregnant, and hasn’t told anyone, not even her other children, Luke and Sky.

The Trickster vanishes. The landscape around them changes to bare earth, and the professor realizes that this is a representation of the future that awaits them if he accepts. They are forced to run, then, from a pair of creatures akin to wolves. Clyde uses his sandwiches to distract the wolves, allowing him, the professor, and the butler to get up to momentary safety on the ridge. There, while they catch their breath, they debate whether there is any way out of this situation, and whether the deal is straightforward. The professor insists that letting the prisoner out—letting her join forces with the Trickster—would be madness, a death sentence for countless others, as the woman loves chaos just as much as the Trickster does. Either way, though, it seems they lose.

He makes his decision.

The Trickster materializes in the Vault. Sarah recognizes him at once; and the woman has heard of him and his fellow members of the Pantheon of Discord. In turn, he knows of her, once Death’s champion, now with many names behind her. He tells Sarah of the agreement on which the professor must decide, and what it will cost. Sarah is defiant—but it is too late. The doors of the Vault are opening.

Clyde and the others make their way back to the Vault. The professor insists they will defeat the Trickster, but Clyde can tell that he feels defeated already. Nervously, he tells the professor about their last encounter with the Trickster, in which Sarah had the chance to prevent her parents’ deaths; as that would have served the Trickster’s plans, it was Sarah’s parents who decided to let themselves die as history recorded, thwarting him. It’s less than hopeful, though; the Trickster’s plan seems airtight. Nevertheless, the professor hasn’t given up hope entirely; after all, there’s Sarah Jane still to consider.

Their plans, however, crash to a halt when they see the Vault doors opening.

Sarah Jane reconnects with Clyde; but no one understands what is happening. The Trickster laughs, sure of his victory. Chaos will reign on Earth! But the Trickster hasn’t counted on the prisoner…or her refusal.

She may, as she points out, love chaos. However, she is no one’s agent but her own. The door may be open—but she refuses to walk through it. If she leaves, it will be with the permission of her jailer—and on her own terms. She refuses the agreement. The Trickster has no choice but to leave, though he does so in fury and futility.

As the group leaves, the prisoner seems amused. She insists they’ll talk over these events, soon; and the professor agrees. Saying their goodbyes, Sarah and the others leave, and the professor seals the vault behind them.

Clyde talks with the butler about the woman. She may have saved Sarah Jane, but it was almost certainly because it served her own plans. After all, she is one of the most vicious, murderous figures in history…but the professor is doing everything he can to reform her, to make her good. And he has 950 more years to do it, give or take.

Sarah Jane stands in the professor’s—no, the Doctor’s—office, confronting her old friend at last. Did he really not want her to know it was him? The sad truth is, yes, he did. After all, he wants no one to know of the Vault and its prisoner. She lectures him briefly about the danger, the precariousness, of the situation; but he insists he has it under control. It was only by the woman’s choice that things ended well. The Doctor insists, though, that he was working on a solution—and specifically one that would save Sarah. After all, the world needs her, especially for what lies ahead…but he stops himself from saying too much.

Sarah insists, in the end, that he shouldn’t carry the burden alone. He has friends to help him, anytime he needs them. Herself, UNIT, other old friends and companions…she offers to call UNIT for him, getting things started. The Doctor won’t say so, but he is grateful. In return, he assures her that her unborn daughter will be okay. Sarah doesn’t need to worry. And as she leaves, for what may be the last time—how can she know, either way? How can anyone?—she bids her old friend a fond farewell.

Iles Title Card

Of all the things in this anthology, this was the most unexpected for me. A Twelfth Doctor story? From my favorite part of his tenure? Fantastic! The author goes out of her way to avoid making it obvious from the beginning that this is a Twelfth Doctor story (or a Doctor story at all); in fact the word “Doctor” never appears. Neither do “sonic screwdriver”, “sonic sunglasses”, “Nardole”, “Missy”, “the Master”, or “Susan”, though all of the above feature in the story (Susan by way of her picture, the Master by way of explanation). The university in question is never named. Truthfullly, if one hasn’t watched series ten of Doctor Who, the entire subtext would be lost, though I think it would become obvious to any Doctor Who fan that the professor in question is the Doctor. I will say that it took me a bit to catch on; it wasn’t until the end of the Doctor’s lecture that it clicked with me. Well done!

In my watch of The Sarah Jane Adventures, I haven’t yet reached this point. Luke has gone on to his own university life, and Sky has been adopted, meaning that this story takes place at least in the fifth series, and possibly after the end of the series five. It exists to bridge the gap between The Sarah Jane Adventures and another, somewhat obscure bit of Sarah Jane’s life. There’s a prose “Short Trip” short story titled Lily, featured in the holiday anthology Short Trips: A Christmas Treasury, and written by Jackie Marshall; in this story, it’s revealed that Sarah Jane eventually has a biological daughter named Lauren, who then grows up to have a daughter of her own named Lily. From what I gather, the timing of the story makes it very likely that Sarah would be expecting Lauren at about series five of The Sarah Jane Adventures; and that’s the approach taken here. Sarah is indeed pregnant in this story, though the father of the child is never mentioned or identified. Both the Doctor and Missy are aware of the situation; the Doctor, indeed, should be aware of it, as Lily features the Fifth Doctor visiting an older Sarah Jane as she babysits Lily.

The only issue I have with the story is that the matter of Sarah’s pregnancy feels shoehorned in. While it may be the reason the author wrote the story, it undoubtedly is a difficult thing to address when the television series makes it clear that the Bannerman Road gang aren’t aware of the situation. That, in turn, makes it hard to fit into the story naturally. The author did her best, and it hardly creates a problem, but she certainly had that challenge to deal with. It’s especially difficult, given that Sarah Jane is really past the customary age to have children…not that the author created that situation, but she’s forced to deal with it. It would have been easier to explain had there been any mention of the father and his relationship with Sarah, but again, those details aren’t included, here or in Lily (as far as I can tell).

But, don’t let that stop you! This is a good story, and shouldn’t be skipped. As well, there are some minor continuity references. Reference is made to Luke having gone to university (The Nightmare Man, et al.). Sarah Jane sees Susan’s picture on the Doctor’s desk (The Pilot, et al.). Nardole mentions that the Doctor and Missy have nearly 950 more years to work out their issues (Extremis; I’m not convinced that Missy’s imprisonment began immediately prior to the Doctor’s time at the university, which in turn makes the number here a bit suspect, but I’ll concede the point for now). Clyde explains the Trickster’s last plot (The Temptation of Sarah Jane Smith). Sky is mentioned as present, though not seen (Sky). Nardole mentions his “mistress” and how she sent him to the Doctor (Extremis). I should also mention that Bill Potts is absent, further confirming that this story occurs in or around 2011, long before Bill comes to the university.

Overall: We’re near the end of the anthology now, and I expect the last few stories to be a bit more sentimental (I know already that the next entry is). I very much appreciated having a decent, if short, adventure here, with characters that I love, from a period of the Doctor’s life that I love. It was quite a pleasant surprise to find this story, and I recommend it.

Next time: We have two more stories to go! The next, very short entry, is titled Full Circle (not to be confused with the classic serial of the same name), again by anthology editor M. H. Norris. See you there!

Defending Earth: An Unofficial Sarah Jane Smith Charity Collection is edited by M. H. Norris, and is produced in support of the Cancer Research Institute, researching the immune system as a weapon in the battle against cancers of all types. You can find the Cancer Research Institute here. Please note that orders and preorders for the anthology have now closed.

The Sarah Jane Adventures may be purchased on DVD from various retailers, and may be streamed on various streaming services.

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Prose Review: Defending Earth Charity Anthology: The Circles of Drel, by Harry King

We’re back, with another Doctor Who charity anthology review! Today we’re continuing our tour of the Sarah Jane Smith anthology, Defending Earth. You can catch up on previous posts via the links at the bottom of the post. Today we’re continuing the “Family” portion of the anthology with entry number twelve: The Circles of Drel, by Harry King. Let’s get started!

As always, there will be spoilers ahead! You can find my reason for this in the first entry of this series, linked below. Note that sales for this anthology have now closed, but you can still find a link at the end of the post for the Cancer Research Institute, which the anthology supported.

Defending Earth (Cover)

For all that Sarah Jane Smith has seen and done, she remains ever the skeptic. So, when a young girl disappears—and the locals immediately start blaming aliens—Sarah is unimpressed. Still, as Rani Chandra points out, there are a large number of crop circles in the area…and some of them are inexplicable…

So it is that Sarah and Rani find themselves in the field of a farmer by the name of Patrick Finch, who has a brand-new crop circle to see…for a small fee, of course. Sarah declares it a fake, and rightly so, leaving the farmer angry but speechless.

Over coffee, Sarah and Rani talk over the situation. This circle was a fake, but some others are more credible; and there have been lights in the sky near where the girl, Anna Clarke, was abducted. Sarah is at a loss, until Clyde Langer calls from Sarah’s house at Bannerman Road, with news: Mr. Smith has determined that Anna Clarke was involved with a number of crop circle enthusiast groups. While she seems to have been a novice, and doesn’t seem to have contributed much, there is some slight connection to the land of Patrick Finch, who has a much higher than average incidence of crop circles. Sarah gives Clyde some additional search parameters, and then arranges to have Rani stay with her overnight.

“Overnight”, in this case, means a cold hillside overlooking the one field of Patrick Finch that has never had a crop circle—yet. It’s just a hunch, but Sarah expects something. She isn’t wrong; Finch soon enters the field and spends a laborious few hours constructing another crop circle. However, just as Sarah is about to give up, a light appears in the sky—and behind it, she can just see a saucerlike spaceship. The light shines down on Finch in his pickup truck and scoops him up, truck and all, then vanishes, taking him with it. Rani manages to get some grainy footage of the event.

Rani’s footage isn’t great, but Sarah sends it to Mr. Smith for analysis. Later in the day, he returns with new information: The ship is a Drel ship. The Drel tend to be cosmic joyriders of a sort, living for fun; one of their pastimes is buzzing by more primitive worlds in their ships, sometimes doing the interstellar equivalent of drag racing. More to the point, when a Drel finds a good racing location, they will often mark it with a unique marking…a crop circle, to be direct. This puzzle is beginning to come together.

But Clyde also has information. As it turns out, Anna Clarke posted pictures of a crop circle very shortly before her disappearance—and it’s a very familiar circle: one located on the farm of one Patrick Finch. In the background of the photo can be seen the characteristic light of the Drel ship.

Sarah and Rani return to the field, this time forewarned. The plan is to attract the attention of the ship; with two of them, it will be momentarily distracted, and Sarah will be able to use Mr. Smith to contact the ship. It works flawlessly; the ship arrives, Sarah and Rani separate, and the ship scoops up Rani. However, Sarah can’t get Clyde on the phone to activate Mr. Smith! As the ship turns its light on her, and she begins to drift into the air, Clyde finally picks up—and Mr. Smith puts her through to the Drel, with translation.

One quick explanation, and the Drel return her to the ground. It seems that Finch’s crop circles look identical to the markings left by a rival group of Drel racers; when humans were detected, the confused Drel picked them up. They agree to return the others, and even to leave the area…as long as Sarah Jane doesn’t report them to the Shadow Proclamation! Laughing, Sarah agrees.

Cue up one grateful Rani, one angry Patrick Finch…and one very scared and confused Anna Clarke. After a few words to deflect Finch’s ire, Sarah introduces herself to Anna and agrees to take her home. After all, all’s well that ends well.

King Title Card

Not every story in Sarah Jane’s universe represents a massive threat to the universe. Sometimes, kids will be kids—and for once, I’m not talking about the Bannerman Road gang!

Here we have a fairly small-scale story, and that’s pleasant enough. It’s good to know that not every alien out there is another Bane or Slitheen. Sarah Jane and her friends (I say “friends” because, although this story takes place in the “Family” segment of the anthology, Luke Smith is strangely absent) find themselves investigating the case of a missing teenage girl. At first it seems that the case may be more mundane than usual (and, I might add, more horrifying if so—real, human-based abduction cases would be heavy material for The Sarah Jane Adventures). It takes a turn into the paranormal when Sarah discovers that the aliens are real, and that they are…joyriding kids?

More or less, at any rate. The Drel aren’t specified to be juvenile, but they act like joyriding teenagers. They come to less-developed worlds and let themselves be seen flying by, all in good fun (for them, not so much for the locals). Sometimes they engage in drag racing of a sort, and for this they leave markers at particularly good tracks—hence, crop circles. They aren’t interested in conquest or destruction; they just want to speed around, have fun, and not get caught.

There’s not a lot to say about the story—it’s cozy and enjoyable, but particularly mundane as Sarah’s adventures go, and generally lacking in continuity references—but I will say this: I can’t help wondering if it’s a bit of an ode to Douglas Adams. The Drel could be carbon copies of the “Teasers” described in The Hitchhiker’s Guide to the Galaxy. Those aliens, with whom secondary protagonist Ford Prefect hitched a ride to Earth, are described as “usually rich kids with nothing to do. They cruise around looking for planets which haven’t made interstellar contact yet and buzz them…[t]hey find some isolated spot with very few people around, then land right by some poor soul whom no one’s ever going to believe and then strut up and down in front of him wearing silly antennae on their heads and making beep beep noises. Rather childish really.”

One could do much worse than to pay tribute to Douglas Adams—who, I might add, has his own extensive history with Doctor Who, though not with Sarah Jane Smith (I think). I can’t swear that the reference is intentional; but even if not, it adds a layer of richness to this story that I loved.

Overall: A cute, fun story, more direct and simple than some of the others, but in no way do I mean that that is a bad thing. Nor do I mean that it reflects badly on the author’s skills; frankly, it’s hard to have a quiet story in the Whoniverse and make it good! Harry King pulls it off with grace here. It’s a nice reprieve from the constant existential threats, and I enjoyed it.

Next time: Sarah Jane & The Bristolian Vault, by Sophie Isles. See you there!

Defending Earth: An Unofficial Sarah Jane Smith Charity Collection is edited by M. H. Norris, and is produced in support of the Cancer Research Institute, researching the immune system as a weapon in the battle against cancers of all types. You can find the Cancer Research Institute here. Please note that orders and preorders for the anthology have now closed.

The Sarah Jane Adventures may be purchased on DVD from various retailers, and may be streamed on various streaming services.

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Prose Review: Defending Earth Charity Anthology: Gifts for Good, by M.H. Norris

We’re back, with another Doctor Who charity anthology review! Today we’re continuing our tour of the Sarah Jane Smith anthology, Defending Earth. You can catch up on previous posts via the links at the bottom of the post. Today we begin the fifth and final portion of the anthology, titled “Family”, with entry number eleven: Gifts for Good, by anthology editor M.H. Norris. Let’s get started!

As always, there will be spoilers ahead! You can find my reason for this in the first entry of this series, linked below. As well, you can find links at the end to purchase the anthology, and to learn about and support the charity which the anthology supports, the Cancer Research Institute. Sales of the anthology come to a close TODAY, 2 April 2019, so if you would still like to purchase a copy, act soon! (I will be finishing this series even after the sale period closes—we’re near the end now!)

Defending Earth (Cover)

Sarah Jane Smith loves a good show as much as anyone else; but she has no patience for charlatans, especially of the “psychic” variety. It’s no surprise, then, that she is grumpy as she takes her seat near the back of the grimy, worn theater; but her old friend the Brigadier is the one who invited her—as well as her son Luke and his friends Rani and Clyde—and so she bears it for his sake. The act, consisting of four young people who bill themselves under the name Mimir, from the old Norse mythology, aren’t bad as these things go; but Sarah is convinced their predictions for various audience members are just a product of cold reading, or perhaps—in this Internet-savvy age—careful research rather than any kind of power. She is less than enthused when one of their members, Lynx, stops and promises her that she will meet an old friend from a time of adventure in her past. After all, Sarah has had many adventures—but only one old friend comes to mind, and she’s already seen him again in recent years…

The Brigadier, for his part, is not disturbed by Sarah’s ranting. He patiently explains that a contact at UNIT has expressed some interest in the group: not enough yet for UNIT to take an active role, but enough to prompt some off-the-books investigation. Who better than Sarah Jane to handle such a job? After all, he muses, better her than those people down in Cardiff…and it’s not like Sarah is alone, even if her allies are children.

They are interrupted on the way back to Bannerman Road by a call from her living computer, Mr. Smith, who advises her to hurry—because a spacecraft has landed in her attic. Sarah Jane races home with her friends in toe and vainly warns the children to wait downstairs. She heads up to the attic, her senses on high alert…and drops her guard when, to her utter surprise, she sees a familiar, white-haired man.

The Doctor—her Doctor, the Third Doctor—has, after so many years, returned.

Over the course of the evening, catching-up ensues. The Doctor’s TARDIS has been pulled out of the vortex by a strange confluence of temporal influences. His Sarah—the much younger version—is away at the moment, visiting the 1970s version of Aunt Lavinia while the older woman is on a brief visit home. Sarah and the Brigadier introduce the children, who have of course heard all about the Doctor; and they catch him up on some of the things that have happened (but certainly not all—Sarah carefully avoids mention of any later incarnations, including the recent visit by the Tenth Doctor). Finally, as Clyde and Rani return home, and the Brigadier does likewise, the Doctor falls to discussing the situation with Mimir, mostly with the precocious Luke. He assists Mr. Smith with running and refining a program that will help them track any temporal disturbances associated with the group—which, it increasingly appears, is also what is holding him here. He recruits Luke to help.

Later, during the night, Luke approaches the Doctor and talks about a more personal matter. He describes his own situation, and the lessons he has learned in his time with Sarah Jane—and those he still needs to learn. The Doctor perceives that one thing Luke lacks is confidence; and so, to build the boy’s confidence, he gives him an impromptu fencing lesson. As the morning approaches, Clyde joins them.

In the morning, Mr. Smith’s efforts come to fruition: there are temporal anomalies surrounding Mimir. It all began when they mysteriously won a lottery jackpot more than a year before, which they have used since to fund their tours. However, in addition to the good coincidences surrounding them, others close to them are suffering unusually bad luck. The Doctor theorizes that one of the group may be a member of a temporally sensitive race—the Vainkrons, the Tiqai, the Cadels, or perhaps the Bulvins. Such races can manipulate probability by viewing a person’s potential futures, then nudging them toward a preferred outcome. But, whoever is doing so here, isn’t doing a good job of it.

They are interrupted by Mr. Smith. Another kind of anomaly has become apparent: a Sontaran has been spotted in downtown London! The children have met these aliens before, and know what they can do; and so Sarah warns them to stay behind while she and the Doctor tackle the threat. Of course, no one listens; but at least the children give her the courtesy of a head start before following her.

The Doctor and Sarah interrupt the lost and confused Sontaran, who is causing chaos and holding a female hostage—perhaps not coincidentally, another audience from the Mimir show, Sarah notes. She challenges the Sontaran, while the Doctor moves in to physically attack; but they seem to be outmatched. The situation is only resolved when Luke, armed with his fencing foil, charges out behind the Sontaran and lands a blow on its probic vent, knocking it out. It’s a great lesson for the boy…but of course, that won’t stop him from being in trouble with his mother for disobeying. A kid is still a kid, after all.

With UNIT handling the return of the Sontaran to its people, and the crisis averted, attention returns to the matter of Mimir. Sarah has arranged an interview with the group, and will be taking Luke with her. Meanwhile, the Doctor gives her a detector that will let him pinpoint the source of the temporal anomalies. He is almost certain now that the culprit is secretly a Tiqai, a humanoid race with temporal sensitivity. They can be identified by their golden eyes, though this one is probably wearing colored contacts.

While Sarah interviews the group, Luke notices that Lynx has wandered off. He finds him sitting on the theater stage—and realizes that the young man appears to be wearing contacts. He takes the plunge, and asks Lynx directly if he is a Tiqai. In the process, he confides the truth about his own alien origins. Lynx admits it, and reveals that he is an orphan, adopted by humans after his own world was caught in the crossfire of two warring races. He knows what he is doing—he only wants his friends to be happy—but he knows it isn’t working out right. He admits that he can’t fully control his powers. He also admits to knowing of Sarah Jane before coming to Earth; it seems she and the Doctor once, many years ago, visited a world near his own, and dealt well with a situation there. Tales of their exploits ultimately made their way to Lynx, though he never expected to meet Sarah Jane! But none of that helps with his problem.

Someone can help, though—and the Doctor joins them on the stage. He graciously offers to teach Lynx how to use his power without harm, and without getting on Time’s bad side.

Later, with the anomalies resolved, the TARDIS is back to normal, and the Doctor is free to leave. He says his goodbyes again to Sarah Jane, and the Brigadier, and the children. Over Sarah Jane’s nostalgic tears at the memories of their times together—both good and bad—he acknowledges what they both know to be true: That it’s the good times and the bad that made each of them what they are; and that, after it all, the world needs Sarah Jane Smith.

Norris Title Card 1

We’re nearing the end of our adventures with Sarah Jane! This story, the eleventh of fifteen, takes place during the events of The Sarah Jane Adventures–specifically, during Series Three, as it is stated to take place in 2009. This places it after the Tenth Doctor’s appearance in The Wedding of Sarah Jane Smith, as she mentions early in the story.

Unlike some of the other spinoff materials referenced in this collection, I have watched some of The Sarah Jane Adventures, though I have yet to complete the series. I can say that this story is very much in keeping with the tone of the series; it’s lighter, more child-friendly, but still quick and action-oriented. It’s a bit of a reunion episode, bringing together not only Sarah Jane, the children, and the Brigadier—but also the Third Doctor, in what is most likely Sarah’s last meeting with him. If I have counted correctly, it makes for six encounters between the Doctor and Sarah in the era of the revived series of Doctor WhoSchool Reunion, Tenth Doctor; the Stolen Earth/Journey’s End, Tenth; The Wedding of Sarah Jane Smith, Tenth; an unseen encounter connected to The End of Time, Tenth (still in the future); this story, Third Doctor; and Death of the Doctor, with the Eleventh Doctor, also still to come as of this story. (If I’ve overlooked any, please comment below!)

I’ve always been a great fan of the Third Doctor; I think he may be a bit underrated in the face of such characters as the Fourth, the Eighth, and the revived series Doctors. It’s wonderful to see him again here, though it’s certainly bittersweet, knowing that there isn’t much room left in Sarah Jane’s life to have any more such encounters. There’s a poignant scene at the end where the Doctor, about to depart, wipes a tear from Sarah’s cheek, harking back to his regeneration scene—which, though history for her, is still to come for him. It’s haunting in its effect.

With all that said, this is still a fairly lighthearted, low-stakes story. It’s a bit contrived; it’s not really explained how the time-sensitive Lynx’s powers conspire to drag the TARDIS from the vortex, when it seems his powers are of a low-impact nature; and it’s never really explained how the Sontaran gets to downtown London. But if you get hung up on those details, you’ll miss out, because the story isn’t about those details. It’s a story about family, and memories, and hope, and—especially for Luke and Clyde—confidence.

There isn’t much in the way of continuity references here; while there are a few references to old adventures, they are to adventures that were created specifically for this story. However, there is an interesting bit, almost small enough to miss, where Luke tells the Doctor how he was created. The Doctor speaks with familiarity on the subject, and one gets the impression this may be a nod to the idea of Gallifreyan Looms—minor, but a nice touch, if that’s how it was intended.

Overall: A good segue into the “Family” portion of the collection. It’s both fun and sentimental, nostalgic and fast-paced. One would think those qualities wouldn’t go well together; but one would be wrong. Check it out!

Next time: The Circles of Drel, by Harry King! See you there.

Defending Earth: An Unofficial Sarah Jane Smith Charity Collection is edited by M. H. Norris, and is produced in support of the Cancer Research Institute, researching the immune system as a weapon in the battle against cancers of all types. You can find the Cancer Research Institute here, and you can purchase the anthology here. The anthology is available until TODAY only in ebook formats and a print edition (preorder only on print edition).

The Sarah Jane Adventures may be purchased on DVD from various retailers, and may be streamed on various streaming services.

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