A Note About Original Content

All material posted on this site is the original creation and property of the site’s owner.  Please note that the author also regularly contributes to other sites, such as Reddit’s /r/Gallifrey subreddit and the TARDIS wiki.  Any material duplicated in those locations is not plagiarized here, but has been written by the same author in all three locations.  Some material has been reused as appropriate, without plagiarism.

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Audio Drama Review: The Nightmare Fair

We’re back, with another Big Finish Doctor Who audio drama review! After just coming off of the famous (or infamous) Zagreus, I needed a quick change of pace; and so today, we’re looking at the first in another range, the Lost Stories. We join the Sixth Doctor and Peri in The Nightmare Fair, where they face off against a very old enemy: The Celestial Toymaker! Written by Graham Williams, and adapted and directed by John Ainsworth, this story was released in November 2009, nine years ago this month. Let’s get started!

Nightmare Fair 1

Spoilers ahead for anyone who has not listened to this audio drama! For a spoiler-free review, scroll down to the next picture.

Part One: Following their last adventure against the Daleks (Revelation of the Daleks), the Doctor and Peri arrive at the Pleasure Beach fair in Blackpool for a bit of relaxation. They are unaware that they are being observed by an old enemy… Meanwhile, a local man, Kevin, reports to the police about strange events from the night before at the fair—strange lights, a frightened man. It is the latest of numerous reports Kevin has made; but most also involve a strange Chinese Mandarin. Last night, the Mandarin wasn’t there. He also discusses his missing brother, Geoff. The police don’t take him seriously, and run him off.

The Doctor admits that he had an ulterior motive for coming to Blackpool: a disturbance in the time vortex, indicating danger. Elsewhere, the Celestial Toymaker—for that is who watches—prepares his servant, Stefan, to bring the Doctor in; Stefan, meanwhile, provides the Toymaker with the Doctor’s biodata, confirming his identity. Peri begins to hear the Doctor calling her, though he denies it; soon, the Doctor also hears his own name being called. He deduces that there is telepathy in use. As they continue checking out various rides, the Doctor notices Kevin following them. Peri ends up separated from the Doctor on a ride, sharing a car with Kevin as the Doctor follows behind. At the other end, the Doctor is nowhere to be seen. Peri reports to security, but to no avail. Introducing herself to Kevin, she enlists his help—but they are intercepted by the Toymaker’s servants, and forced to fight. Unintentionally, Kevin kills their captor; the duo then runs. Meanwhile the Doctor is collected by Stefan, and escorted to a cell.

In the tunnels beneath the fair, Kevin shares his story with Peri. They happen upon numerous mechanical dummies, as well as the machinery of the rides. Meanwhile the Doctor examines his surroundings, and makes rudimentary communication with something in the next cell by tapping on the pipes. Before he can continue, the Toymaker arrives and insinuates that the Doctor will be forced to play his games, possibly at the cost of harm to Peri if he refuses. Before he vanishes, he causes the wall between cells—which proves to be a solid hologram—to become invisible, revealing a clawed monster. However, the Doctor quickly reestablishes communication with the creature. The Toymaker watches from elsewhere, amused. In the tunnels, Peri and Kevin are briefly separated; and Kevin is taken to the cells. The Toymaker returns to debate with the Doctor about Earth and its inhabitants and their capacity for games, which fits right into his plans. He challenges the Doctor to one  more game, and the Doctor is obliged to accept.

Part Two: The Toymaker commits to not harming Peri. Meanwhile, Kevin rejoins Peri, but he begins to speak and act strangely. Meanwhile, Kevin is also in the cell with the Doctor—clearly only one of them is real. But, which Kevin is it? Kevin and the Doctor compare notes, and the Doctor recruits him to help build a strange device. Elsewhere, one of the Toymaker’s servants, Yatsumoto, delivers a large video game cabinet, and reviews its use; the Toymaker, delighted, authorizes the next phase of his plan, which will see the machines rolled out to the public all over the world. Meanwhile Peri realizes that Kevin no longer has a wound he received in their escape; and she quickly realizes that he is not real. Seeing that the game is up, he has her taken to the cells with the Doctor and the real Kevin. The Toymaker has Yatsumoto try out the game; but when he loses, a glowing creature of some sort is generated by the game, and kills him. Peri catches up with the Doctor, who fills everyone in on their status. The Doctor’s device removes the walls between cells completely, though the corridor wall remains intact. The clawed creature can be seen in one cell. In the other is a humanlike android, who quickly joins their cause, and reveals that he is an old and oft-rebuilt member of an expeditionary fleet, now far away. The creature, the Doctor reveals, is a Venusian, of a type that is known for their mechanical skills; the Doctor dubs him “Mechanic”. With the Mechanic’s help, and a hand—literally—from the android, the Doctor assembles a sort of helmet device, and puts it on Peri. At that time, Stefan arrives to take the Doctor to the Toymaker; the Doctor tells Peri to yell for him if she needs him.

After much debate about his motives, the Toymaker causes the Doctor to play the video game; down in the cell, the Mechanic works feverishly to finish the helmet device, but can’t speak to Peri to explain what it’s for. Just as the Doctor loses the game, and the video monster emerges, the Mechanic attacks Peri, causing her to scream for the Doctor…and the Toymaker screams himself, as if struck, and falls unconscious.  The video monster turns on Stefan, and kills him. The Doctor quickly brings Peri and the others up from the cells, and they ransack the Toymaker’s living space, searching for a device. They quickly find it: the Toymaker’s telemechanical relay, by which he controls the various holographic systems. The Doctor wires it into his own device, just as the Toymaker begins to awaken.

The Toymaker threatens dire punishment; but the Doctor stops him. He has placed a holofield around the Toymaker, trapping him—and it is powered by the telemechanical relay. In other words, it is the Toymaker’s own brain which keeps him trapped, and will do so forever. Worse for the Toymaker, the field generates a time loop; he will have a repetitive eternity in which to go mad. It is barbaric; but for the Toymaker, as the Doctor points out, no other punishment is possible.

Meanwhile, Kevin finds his missing brother, who has been trapped here. The Doctor advises him to locate the patents for all the machinery here, which may make him rich—and will allow him to shut down the Toymaker’s entire operation. Peri, for her part, obligates the Doctor to take the Mechanic and the android home—but first, there’s still time for the fair.

Nightmare Fair 2

I was surprised to see how simple and direct this story was—but after recent main range entries, that proved to be a welcome change. The Lost Stories range consists of stories adapted from scripts which were never filmed; this story would have been the first of the proposed Season 23 that was annulled by the temporary hiatus of the series As such this story would have followed directly from Revelation of the Daleks; in fact, allegedly there was a line at the end of that serial which would have indicated the Doctor was taking Peri to Blackpool, the site of this story. That line was allegedly nixed when it became apparent that the show would go on hiatus. The story seems very small-scale for the series; it occurs in a very confined space, with a relatively small cast (though the accompanying interviews seem to indicate that many of these scripts were adapted down from the larger cast that a television serial would have afforded).

It’s a good thing, though, because the story flows very well, and is fun to listen to. The Celestial Toymaker is a villain who wouldn’t work as well, I think, in a highly science-fiction setting; he is the sci-fi element for the story, and needs no support in that regard. Placing him in a mundane setting just allows his particular talents and reasoning to shine. (I don’t count his toyroom from The Celestial Toymaker as a sci-fi setting, because it is only defined by his powers. In and of itself, it’s very nondescript.) He appears rarely enough that he doesn’t feel overused as a recurring villain. He plays especially well against the Sixth Doctor, for the same reasons that he worked well against the First; both Doctors share a high degree of arrogance, a similar wit, and a sense of mirth. To watch the Toymaker and the Doctor bait each other along is almost as satisfying as watching the Doctor debate with Davros. It wouldn’t be the same against, say, the Second Doctor, or the Ninth (or the Eighth!).

Most of all, you can tell that everyone involved with this production had fun with it, and was happy to be there (as confirmed in the interviews). That energy transmits over to the audience, and covers well for what might otherwise be toosimple a story. The story isn’t just simple, either; it’s gimmicky, at least for the time of its original writing—it capitalizes on the early days of the video game industry, when arcade games ruled, and home systems were still rare. The Toymaker’s games this time are electronic, and they have an edge to them.

Continuity references: The obvious reference is to the events of The Celestial Toymaker, with the First Doctor, Steven, and Dodo, for which this story serves as a sequel. The doctor mentions Magnus Greel (The Talons of Weng-ChiangThe Butcher of Brisbane). He mentions visiting Brighton (The Leisure Hive). He mentions Jamie after Peri finds a piece of Jamie’s clothing in the TARDIS (last seen in The Two Doctors, only a few episodes earlier). He mentions a man in Paris who was always hitting things (Duggan, City of Death). He makes a tongue-in-cheek reference to Romulus and Remus (The Twin Dilemma). The Toymaker refers to the 1914 Christmas Truce, which was attended by both the First and Twelfth Doctors in Twice Upon a Time (technically a future reference, but as the First Doctor was there, I’ll mention it). One of the trapped creatures is a Venusian, which have been mentioned many times since the Third Doctor era; of the various Venusian races that have been mentioned, it is unclear which one this is.

Overall: If the rest of the series is anything like this, we’re in good hands. A great start to a new (to me) range. Looking forward to more!

Next time: We join the Doctor and Peri, as well as old adversaries Sil and the Ice Warriors (a metal band name if ever there was one) in Mission to Magnus! See you there.

All audio dramas featured in this series may be purchased from Big Finish Productions; this story’s purchase page is linked below. This and many other selections may also be found on Spotify and Google Play.

The Nightmare Fair

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Audio Drama Review: Zagreus

We’re back, with another Big Finish Doctor Who audio drama review! Today—finally—we have reached the fiftieth entry in the main range, which also serves as Doctor Who’s fortieth anniversary story: Zagreus, written by Alan Barnes and Gary Russell. The story was released in November 2003, fifteen years ago as I write this review, and was directed by Gary Russell. It featured every Doctor and companion actor to have performed in Big Finish’s productions to date, although nearly all appeared in new roles here. The story is famously bizarre and trippy; and, well, I will say up front that the rumors are both correct and unable to do it justice. I can’t promise that anything I say here will do it justice, either; it’s hard to even wrap your head around a story like this, let alone sum it up. Nevertheless, we’ll give it a try. Let’s dig in!

Zagreus 1

Spoilers ahead for anyone who has not listened to this audio drama! For a spoiler-free review, scroll down to the next picture.

Due to the extreme length and detail of this story, I’m going to break my own pattern today and leave out the usual plot summary. Several good summaries already exist; therefore I will point you to the summary that can be found at the TARDIS wiki, or the summary at the Doctor Who Reference Guide.

Zagreus 2

Yep, it’s exactly this weird. Credit to Roger Langridge, DWM 340.

Despite having discussed it many times on the /r/Gallifrey subreddit, and despite having listened to the audio dramas that lead up to it, I still didn’t truly know what I was getting into with Zagreus. For one thing, the story is very long; it’s the longest entry to date in the main range, at three hours and fifty-six minutes, and the second longest in all of BF’s Doctor Who audio dramas. (Only UNIT: Dominion–which is excellent, and which I hope to cover eventually—is longer, by a measly two minutes.) If the average main range audio is a serial, and the average Eighth Doctor Adventures story is a NuWho episode, then Zagreus is a feature film, or possibly a trilogy of films. For another thing, the story takes many familiar actors and scrambles them like eggs (via new roles); the resulting omelette is…well, it is definitely different.

Zagreus picks up where Neverland–which feels like a very long time ago to me; I covered it more than a year and a half ago)–left off, just after the TARDIS and the Doctor absorb the explosion of the anti-time casket. This transforms the Doctor’s mind into a strange, raging beast that takes the name and identity of the mythical Zagreus. Most of the story then proceeds inside the TARDIS, and also on a place called the Foundry of Rassilon, which is at least nominally located on Gallifrey. The Doctor, Zagreus, and the TARDIS all battle their respective foes and selves to establish their identities. At the end, it is discovered that there is another hand at work in these events; and in the end, the characters are—for the most part—saved from destruction. However, the Doctor still is not rid of the anti-time infection; and he cannot be allowed out into the universe any longer. If he makes contact with the normal universe, the infection will escape, and bring all of time to an end (or worse: a state of never having been). Instead, he chooses exile in the anti-time universe, called hereafter the Divergent Universe after the name of its dominant species, the Divergence. Unknown to him, Charley Pollard chooses to go with him.

Most actors appear in different roles, as I have mentioned; but a few appear as their usual characters. Lalla Ward appears as President Romana; Louise Jameson appears as Leela; John Leeson, as K9 (Romana’s K9, in this instance; Leela and Sarah Jane, of course, have their own, who do not appear here). Miles Richardson appears very briefly as Cardinal Braxiatel, and Don Warrington appears as Rassilon. Charley Pollard is the true central character of the story, and as such, India Fisher appears in her usual role; and Nicholas Courtney, while not appearing as the actual Brigadier, appears as a simulation thereof. As well, posthumous voice clips of Jon Pertwee (taken from the Devious fan production) were used to reproduce the voice of the Third Doctor, though he does not appear corporeally in this story. The entire cast, with roles, can be found on the story pages for Zagreus at the TARDIS wiki and at Big Finish’s site. Of special interest is that Big Finish’s site does not credit Paul McGann as the Doctor, but only as Zagreus, though he fills both roles. This is the first appearance in audio of both Leela and K9, though both will go on to figure prominently in the Gallifrey series and other places. Likewise, Braxiatel appears for the first—and only—time in the main range here, though he too will appear in Gallifrey. The story is a three-parter, and only four actors—Peter Davison, Nicholas Courtney, India Fisher, and Paul McGann—appear in all three parts. More sadly, it is Elizabeth Sladen’s only appearance in the main range, and her only work with any of the Doctor actors in Big Finish, due to her untimely death.

I’ve described this story as trippy, but I don’t want to give the impression that it’s hard to follow. It flows very directly, with two parallel plot threads (one for the Doctor/Zagreus, one for Charley). However, the story is filled with mindscapes and illusions and visitations by past Doctors; in that sense, it can be thought of as a sort of bookend for The Eight Doctors. Both the Doctor and Charley are subject to these visions; and, given that they provide the viewpoints for the story, it becomes a little difficult to know what is real and what isn’t. (Here’s the cheater’s version: almost everything in parts one and two is illusory—though valid and important; there are few red herrings here—while part three is reality.) At first the story feels as though it’s wandering; it tells several narratives that don’t seem to be related to anything. I didn’t have any trouble maintaining interest, though, as each narrative is well-told and interesting enough on its own. Soon enough, they all come together, as Zagreus—the monster, not the story—reaches its endgame.

The problems, I think, are twofold. First and foremost: this story is not what we were promised. Not that I’m saying that we, the audience, were literally promised anything; but the lead-up in the various preceding stories would have suggested something much different than what we ultimately got. Zagreus is supposed to be a universe-ending monster that consumes the unsuspecting and undoes time itself; but when you consider that the entire story occurs within the confines of the TARDIS (or the second location, which is also confined), with no one in danger but the Doctor himself, it quickly becomes apparent that Zagreus is sort of a joke. Were he to be unleashed on the universe, he might become the promised monster; as it is, he’s a Schrodinger’s Cat of unrealized potential. Indeed, the story itself uses the same metaphor in part one, and it’s very apt. It subverts the usual Doctor Who trope of the universe-ending catastrophe, but it doesn’t feel clever for subverting it; it just feels like we were a bit cheated. The second problem is related: this is, for better or worse, an anniversary story; and we’ve come to expect something exceptional from an anniversary story. (Well, perhaps not as much as we expect it after The Day of the Doctor, but still…) As the Discontinuity Guide puts it: “Oh dear. An eighteen-month wait – for this!” I’m not sure what I would have done differently; but I certainly wasn’t expecting this.

Still, it’s not entirely out of step with Big Finish’s other stories; and we did just come off of a run of experimental stories. Perhaps Zagreus is best thought of as the last of those stories, rather than as an anniversary story; in that regard it fits right in. For me, the worst part is that I greatly suspect that Zagreus–the monster, not the story–will turn out to be forgotten and never mentioned again. You can’t just create a universe-ending threat and then pretend it didn’t happen–but it won’t be the first time, and I doubt it will be the last. So much wasted potential!

Continuity: There are a great many continuity references here, and I can’t be sure I’ve found or compiled them all. Charley has met the Brigadier before, in Minuet in Hell; Romana also has done so, in Heart of TARDIS. This story proposes that Romana and Leela are meeting for the first time; but this contradicts the events of Lungbarrow, which takes place at the end of the Seventh Doctor’s life, and which makes it clear that they have known each other on Gallifrey for some time. The Doctor refers to the TARDIS briefly as Bessie (last seen in Battlefield). The Doctor finds a copy of Through the Looking-Glass; Ace previously read it in Cat’s Cradle: Time’s Crucible. There are hints that Project Dionysus (seen in one of the simulations) was under the auspices of the Forge (Project: Twilight, et al). The Brigadier paraphrases the Doctor from The Five Doctors regarding being the sum of one’s memories—a quote he shouldn’t know, but…spoilers! The Yssgaroth get a couple of mentions (State of DecayThe Pit). The Doctor sees a vision of the planet Oblivion (Oblivion), the Oracle on KS-159 (Tears of the Oracle), the removal of one of his hearts (The Adventuress of Henrietta Street) and a crystal Time Station (Sometime Never, and possibly Timeless). The effect of all of these latter visions is to place the novel series—from which all of them are drawn—in a separate continuity from the audios, which allows for various noted contradictions going forward. Likewise, another vision shows the Time Lords with great mental powers (Death Comes to Time).

The Sisterhood of Karn appears, though not by name (The Brain of Morbius, et al). The TARDIS has a history of generating sentient avatars (A Life of Matter and DeathThe Lying Old Witch in the Wardrobe). Gallifrey has a watchtower (The Final Chapter). The statue from Sivler Nemesis is mentioned, as well as Rassilon’s various accoutrements and the De-Mat Gun (The Invasion of Time). The Oubliette of Eternity is mentioned (Sisterhood of the Flame). Cardington appears in a vision (Storm Warning). The Doctor mentions meeting Rasputin (The WandererThe Wages of Sin). Charley mentions the Doctor escaping from Colditz Castle (Colditz), which she did not witness, but the Doctor has mentioned. The Doctor refers to John Polidori (Mary’s Story). Charley and Leela have met before, but do not remember (The Light at the End). The Fifth Doctor paraphrases the Fourth Doctor from Logopolis: “I very much fear that the moment’s not been prepared for.” The Tower of Rassilon appears, along with the Death Zone (The Five Doctors). Fifth Doctor lines from Warriors of the Deep and The Caves of Androzani are also quoted, as well the Seventh Doctor from Survival: “If we fight like animals, we’ll die like animals!” Gallfrey will in the future be empty (Dead RomanceHell Bent). The Doctor suggest that power will corrupt Romana; this comes true in The Shadows of Avalon. The Doctor mentions a beryllium clock (TV movie). Vortisaurs are mentioned (Storm Warning, et al). Transduction inducers are first mentioned in The Deadly Assassin. The Rassilon Imprimature—mentioned here, but not by name—is first mentioned in The Two Doctors. The TARDIS has a back door (LogopolisGenocide). Various monsters are mentioned in quick succession—Mandrells, Hypnotrons, Drashigs, Daleks, Yeti, Quarks.

Overall: Not a bad story. I enjoyed it quite well. On the other hand, it’s definitely not what I expected—if I expected anything. Certainly it feels more appropriate as an experimental story than as an anniversary story, as I mentioned. Most importantly, it serves to get the Doctor and Charley into the Divergent Universe, where they will spend the next several adventures. It’s a story I am glad to have heard once, but I probably won’t come back to it. Still, it’s unique, and I can’t say I regret it. Moving on!

Next time: Well, that was a lot to take in. We’ll take a break with the Sixth Doctor (and introduce another popular character, Iris Wildthyme!) in The Wormery. See you there!

All audio dramas featured in this series may be purchased from Big Finish Productions; this story’s purchase page is linked below. This and many other selections may also be found on Spotify and Google Play.

Zagreus

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Audio Drama Review: Master

We’re back, with another Big Finish Doctor Who audio drama review! Today we’re listening to Master, the forty-ninth entry in the Main Range, and also the penultimate entry in the tetralogy of villain-centered audios which ends with Zagreus. Released in October 2003 (just in time for Hallowe’en!), this story was directed by Gary Russell, and features Sylvester McCoy as the Seventh Doctor and Geoffrey Beevers as the Master. Let’s get started!

Master 1

 

Spoilers ahead for anyone who has not listened to this audio drama! For a spoiler free review, scroll down to the next picture.

Trailer: A Doctor John Smith reads off a letter he is sending to some dear friends, inviting them to a celebratory dinner at his old and expansive manor house.

Part One: An old man awakens from a nightmare of evil voices promising death. Elsewhere, overlooking a parade and a large crowd, an assassin waits for his target. However, he is interrupted by the arrival of a strange little man, who offers him a story—and all the assassin must do is wait. The assassin begins to listen to the story:

In an imitation-Edwardian village called Perfugium, on a colony world of the same name, Dr. John Smith meets his guests at the door. They are Adjudicator/Inspector Victor Shaeffer and his wife, Jacqueline, who is a well-known philanthropist. They are met by John, and also by his maid, Jade. They talk of various local matters; but later, as Jacqueline goes in search of a kitchen knife to replace hers (which has gone missing), Victor reveals that there has been another murder. It is the latest in a series of murders of young women, mostly prostitutes, though this one was not. Victor is quite unsettled by the deaths,  They are interrupted by Jade’s cat. Meanwhile Jacqueline speaks harshly to Jade, assuming that Jade has romantic designs on John Smith. She reveals that John has amnesia, and doesn’t remember anything before his arrival here ten years earlier; she suspects an accident, perhaps fire, which would explain not only the amnesia, but the disfigurement of his face. Nevertheless Jade has no such designs. After dessert, Victor suddenly grows moody and has a brief outburst against John, which nearly turns to violence; but it passes, and the group returns to their talk. Jacqueline gives John a birthday present—a sort of primitive Ouija board. Against everyone’s better judgment, they try it out; it spells out the letters D-O-C-T-…and suddenly there is a crash of thunder, followed by two screams.

Part Two: One scream is Jacqueline; but the other is from a man outside the window. John and Victor bring him in, finding he was struck by lightning; he is incoherent at first. Meanwhile, the assassin argues briefly with the storyteller about the veracity of the story, before letting him continue. Victor and Jacqueline temporarily withdraw, letting John work on the man; the man recovers, and seems to be healing quickly. After some awkwardness, the two begin to discuss the murders, and find much common ground. The man calls himself Dr. Vaughn Sutton. They discuss the nature of evil in the heart, and whether a man can be purely evil without motive. The Doctor—for that is who Dr. Sutton really is—tells Smith about a truly evil man he once knew, called the Master. Pushing the issue, Smith reveals his own evil impulses, for which he cannot account, but which he steadfastly resists. Does this make him evil?

John is taken by a sudden fit; and a new voice speaks through his mouth, promising death to all present if the Doctor does not do what he came to do. As John revives, a book–*Dr. Jekyll and Mr. Hyde*–falls off the bookshelf. John goes to check on the others, and the Doctor picks up the book, getting the point at once; the voice speaks again, telling him he has one more chance to keep his word, or everyone will die.

Part Three: The assassin wants to know if John Smith really is the Master, as the storyteller—who is obviously the Doctor—implies. And what other force is at work here? The Doctor resumes his story.

Jacqueline thinks the newcomer is dangerous; but regardless, some force is at work, as she slaps Jade and drives her out of the room. However, Smith tells them that the Doctor will be staying the night, as will they, due to the storm outside. They are interrupted by Jade’s scream; her cat is dead, its throat cut and its heart removed—just like the murder victims. Victor believes the killer is taunting him personally now. They gather with the Doctor, who now claims to have been attacked by books in the library—and indeed, the library is a wreck. In the midst of it all, John admits to having invited his friends over to test the alleged curse on this house—but now he regrets it, because they all seem to be in danger. John becomes convinced that the Doctor knows him from his past life, but why won’t he admit it? Smith feels something evil inside him—and he happens across Jacqueline’s missing kitchen knife. The Doctor tries to get Victor and Jacqueline to leave, but John interrupts by taking Jacqueline hostage with the knife, and demanding to know the truth. The Doctor gets him to relent by agreeing to talk—and talk he does.

He tells the story of himself and the Master as children. They were bullied by an older boy—but one day, one of them had enough. In the midst of the bullying, he killed he bully. The two boys burned the body together, but after that, the killer become more distant and angry, full of guilt, while the other went on to be a good man. One became the Doctor; the other, the Master. And John, he reveals, is the Master—though he does not remember it. Worse, the Master’s innate telepathy has projected that evil onto those around him, affecting their actions tonight. Jacqueline defends him; the Doctor offers to take them all away from here. However, they are interrupted by Jade—who reveals her true identity: Death itself.

Part Four: Jade—no, Death—mocks them all, and especially the Doctor. She quickly shares everyone’s secrets: the Doctor is here to  kill the Master; Jacqueline is in love with John; and Victor is the murderer. Victor flees the room, screaming from the revelations, and the lights go out. In the dark, Jacqueline admits that she has always loved John, and still does—but he rejects her, accepting the revelation of who he is. He cruelly dismisses her, and she leaves in tears, leaving only John and the Doctor. The Doctor says that he knows John truly loves Jacqueline, and ran her off to save her from Death. He says that the Master has been Death’s servant—her Champion—but that, ten years ago, he struck a deal with Death. For ten years, Death would release the master, allowing him a normal life, but at the end, the Doctor had to kill him. She arranged tonight to push the Doctor to do just that, perhaps in punishment for his past role as Time’s Champion. The Master urges him to do it, and hands him the kitchen knife. Meanwhile Jacqueline finds Victor in the scullery, and talks with him about whether anyone is truly too hopeless to be saved.

The Doctor refuses to kill him. Instead he realizes that John’s love for Jacqueline—which Death never anticipated—could save John from the Doctor’s deal…but only if they get to Jacqueline first. They head for the scullery. However, Death is whispering to Victor, and ultimately he kills Jacqueline. The Master shrieks in despair.

Death pauses time so she can gloat over her victory. The Master—with his true personality revealed—scoffs at Death’s influence; he is evil of his own will, regardless of her actions. However, she reveals the truth: Even the Doctor has forgotten that there was an earlier deal. It was not the Master that killed Torvic, but the Doctor. Death gave the child Doctor a choice: remember his guilt and serve her, or let it pass to his friend. The Doctor chose to let his friend serve death…and the rest is history. The innocent suffered, and the guilty forgot. However, the remnants of John Smith forgive the Doctor; after all, they were only children. Death gives John a choice: Go back and save Jacqueline by killing Victor first. However, he sees the trap: if he does so, he will become Death’s servant again, but if he does not, Jacqueline will die. John again forgives the Doctor, and chooses—and Death sends the Doctor away before he can learn the decision, as punishment for breaking their more recent deal. The story ends where it began, with the guests arriving; but John threatens Victor with death.

The assassin wants to know what he chose, but the Doctor does not know, and cannot tell him. However, the assassin knows why the Doctor is here now; he has been sent by death to fufill his bargain another way, by killing an innocent—and he is to take the place of the assassin to do it. The assassin offers him the gun, but the Doctor refuses; this again breaks his bargain. The assassin reveals himself to be Death in a new guise, and resumes Jade’s form to mock the Doctor again.  She promises to find new ways to punish him, and stalks off to kill an innocent. Meanwhile the Doctor vows to someday find and free his old friend.

Master 2

The Doctor doesn’t lack for enemies who want to compare him to themselves. There’s Davros, as we mentioned last time; the Daleks and Cybermen have done it; many others wait their turn. And of course, there’s the Doctor’s oldest friend, the Master. In this story it’s a little more on-the-nose than usual; there’s a twist near the end that reveals that the two are more alike than either of them thinks. I won’t reveal the twist, but it caught me by surprise.

We start out the story with a man named John Smith—usually one of the Doctor’s aliases, but here used (if unknowingly) by the Master. I don’t think it’s a great spoiler to say that Smith is the Master; for anyone even slightly familiar with the character (or even the title of the story!) it will be obvious almost instantly. It’s the Master who doesn’t know, and I found that fascinating. Of course, in the years since this story was released, we’ve had such an occurrence on television (Utopia, etc.), but this version takes a different view; for one, the Master didn’t put himself in this situation, and for two, unlike Professor Yana, John Smith doesn’t want to go back to being the Master.

I want to call this another character study, but that’s only on the surface. The real story here is of the relationships among the Doctor, the Master, and Death itself—that’s Death as an incarnate being, as previously portrayed in Timewyrn: Revelation and other novels. This is her first appearance in an audio, however. It’s long been established that the Doctor is Time’s Champion; here it’s confirmed that the Master is Death’s Champion. What matters is how it came about—but, that strays into spoiler territory! I will say, however, that the explanation for the Master’s life choices is quite different from (though not entirely incompatible with) the version we saw in The End of Time, regarding the drumbeats; or the version from The Sound of Drums regarding the Master’s look at the Untempered Schism. The guy really can’t catch a break.

One thing is certain: Missy was right. The Doctor really is her truest and oldest friend. Listening to this story adds considerable depth to the Twelfth Doctor stories where their friendship is discussed. (She’s still a liar with regard to him being a little girl, though; when the Doctor and Death tell a childhood story, they both refer to the Doctor and the Master with male pronouns. Score another for the Doctor not having faces prior to the Hartnell incarnation, I guess?)

At any rate, I have much greater appreciation for the Master as a person here, though he is still evil, of course. I’m also okay with the level of ambiguity with which this story end; the Doctor doesn’t know how it ends, but we can surmise the answer, because we know that the Master lives to fight another day—and we know which side he fights for.

The acting here is average for the most part; but I want to take a moment to compliment two aspects of it. First, Charlie Hayes as Jade does double duty as Death; and the transition between the two roles is just amazing. Compliments for both roles; it’s excellent work. Second, the trailer for this story is unusual; instead of clips from the story, it consists of John Smith reading out loud the letter of invitation he is preparing for his dinner guests. It’s simple and not at all scary—and yet, having an inkling of what is to come, you’ll still feel a chill. Very well done. (The trailer can be found on the story’s purchase page at the Big Finish website.)

Continuity References: The Doctor is referred to as Time’s Champion (Love and War); this is slightly expanded on, when Death reveals that she wanted the Doctor as her champion, but “someone had other plans”. The Doctor mentions Traken (The Keeper of Traken) and Duchamp 331 (Dust Breeding), where he previously encountered this version of the Master. (The Master’s history is a bit complicated, here, and there may be some contradictions with other stories, notably First Frontier, which I have not yet read.) The Doctor uses the alias “Vaughn Sutton”, which refers back to a character in Excelis Decays (although I have not listened to that audio myself yet, I found an indication that for the Doctor, it is recent). The Doctor mentions having known other Adjudicators (Original Sin, et al.). He mentions being disowned by his own family (Lungbarrow). He quotes a line from Primeval: “Exposure to evil, even the smallest amount, can corrode the soul.” Death mentions the Seventh Doctor’s mixed metaphors and playing the spoons (Time and the Rani); however she says that now he is busy destroying planets and old enemies (Remembrance of the DaleksSilver Nemesis, et al.) Death appeared personified in several previous novels (Timewyrm: RevelationLove and WarHuman NatureThe Also PeopleSo Vile a Sin), but never before in an audio drama. In fact, this entire story has several parallels with Human Nature. One of Bernice Summerfield’s books is mentioned here, though it doesn’t seem to be a reference to any particular Benny story. John Smith’s request to the Doctor to “end my life” parallels the Doctor’s conversation with an assassin in The Happiness Patrol, though that may be unintentional. And—most relevant to this tetralogy—Jade recites a version of the Zagreus poem, then wonders what put it in her head.

Overall: Not the typical Doctor/Master encounter at all! And yet, it foreshadows—quite unintentionally—the interactions of the Twelfth Doctor and Missy (and also the Simm Master from recent times) in years to come. That’s a very nice bit of serendipity there, and it’s all the better for being completely unintentional—as far as I can tell—on the parts of every writer involved. Besides that, it’s a great story, and perfect for the Hallowe’en season: Spooky old (possibly cursed) house; a series of murders; a thunderstorm, lightning, screams; Death incarnate (!); and of course, the Master—what’s not to love? I’m very glad to have heard this one.

Next time: And now, for something completely different! Finally we reach the famous and infamous fiftieth Main Range audio, Zagreus. It’s been a long time coming. See you there!

All audio dramas featured in this series may be purchased from Big Finish Productions; this story’s purchase page is linked below. This and many other stories may also be found on Spotify and Google Play.

Master

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Audio Drama Review: Time Tunnel

We’re back, with another Big Finish Doctor Who audio drama review! Today we’re listening to Time Tunnel, the third entry into the fifth season of the Short Trips range. This Third Doctor story was written by Nigel Fairs and directed by Lisa Bowerman, and is read by Katy Manning. The story was published on 5 March, 2015. Let’s get started!

Time Tunnel 1

Spoilers ahead for anyone who has not listened to this audio drama! For a spoiler-free review, scroll down to the next picture.

UNIT receives word of a problem at a railway tunnel in Sussex. Trains are entering the tunnel as normal, but emerging with the drivers and passengers dead—and not just dead, but long dead, as though they had aged immensely before death. This word reaches the Doctor and Jo Grant as the Doctor is making adjustments to Jo’s transistor radio, which is picking up some very odd signals. Nevertheless, they head to the tunnel to investigate. The tunnel already has an odd reputation; a legend has it that the devil himself is trapped beneath it, and that he is responsible for the huge rocks that loom over its entrance.

The Doctor, over the Brigadier’s objections, takes a train engine alone through the tunnel. He arrives at the other side a bit more aged, and very hungry, but with some interesting results: He believes he has been in the tunnel for a very long time. He claims that the only reason he survived was that, as a Time Lord, he was able to induce a sort of coma that let him survive. Now the Brigadier wants to destroy the tunnel, but the Doctor pleads for a chance to deal with the situation first; clearly there is more going on here than dynamite can address. The Brigadier has already received his orders, and set the demolition in motion; the Doctor has only a short time to work with. He prepares to enter the tunnel again—this time on foot.  He believes that the time dilation effect is only triggered when entering at speed; he expects no problems when walking. Unknown to him, however, Jo follows him in.

Her disobedience saves his life. She finds him suspended in a sort of energy barrier, in pain; and when he is able to back out of it, she catches him. Back outside, as the detonation is carried out, the Doctor explains what he learned. It seems that, centuries ago, something was buried under the mountain—but it wasn’t the devil; it was an alien ship. The alien aboard seems to live in a different sort of timestream than humans, one that moves at a much slower pace. With its ship damaged, it has sent out a distress signal—one that, as the Doctor demonstrates, Jo’s radio was picking up. The signal, when sped up, is a call for help, aimed at the alien’s own species. However, the problem in the tunnel is a result of leakage from the damaged engines—leakage of time energies. With the tunnel destroyed, it should no longer be a problem.

Still, one question remains unanswered. Why now? If the ship has been there for centuries, why is it only now intersecting with human reality? The Doctor admits that they may never know for sure…until “help” arrives, that is. But—and here the Doctor glances longingly at the TARDIS in the corner of his lab—he doesn’t expect any of them will be around to see it by then.

Time Tunnel 2

I’m fond of Third Doctor stories—although I grew up watching reruns of Tom Baker’s serials, I feel more affection for Jon Pertwee’s era, having watched it all in the years since. As well, as I’ve mentioned before, Katy Manning does a surprisingly good impression of the Third Doctor (cross-gender impersonations are always a roll of the dice, but she consistently delivers perhaps the best one I’ve ever heard). Therefore, I started this story with a few points already in its favor; and I’m glad I did, because it needed them in the end.

It’s an interesting premise: Trains go into a tunnel as usual, but emerge with everyone aboard not only dead, but horribly aged. It even proceeds well; the Doctor, being somewhat resistant to time-based effects, decides to take a train into the tunnel and, well, see what happens. Where it falls down is at the end; the Doctor doesn’t really do anything. And while that makes for realism—there will always be the occasional problem that can’t actually be solved—it doesn’t make for interesting storytelling.

I’m willing to overlook it, though, on one condition: That someone writes a sequel. There’s a good hook at the end—not quite a cliffhanger, because the eventual resolution is expected to be a long time in the future, but a hook. There’s promise for a better resolution later. I won’t spoil exactly what that hook is, but I’d like to see it delivered upon.

One thing is definitely consistent with the Pertwee/UNIT era: The difference between the Doctor’s approach and the Brigadier’s. The Doctor wants to research and negotiate; the Brigadier wants to blow things up. It’s not as dramatic as it is in, say, Doctor Who and the Silurians; our monster of the week—which we never actually see, incidentally—is heavily implied to be unharmed at the end. Still, we continue a fine tradition of the Brigadier destroying things over the Doctor’s objections (and blaming it on Geneva). It’s good to see some things never change.

There are—surprisingly for a Short Trip—a fair few continuity references, which incidentally help to place this story by way of the things we know have already taken place. Jo makes a comparison between the folly at the mouth of the tunnel and the castle on Peladon (The Curse of Peladon). Devil’s End and Azal get a mention, also by Jo (The Daemons). Mike Yates refers to “tentacled monsters” (The Claws of Axos). The Brigadier makes reference to having met three versions of the Doctor (The Three Doctors). Yates also mentions having served in the regular Army (The Rings of Ikiria). I should note that I discovered that last reference via the wiki, but hesitated to include it, because I am not sure of the chronological placement of that story (which I have not yet heard). Its entry mentions the Brigadier turning on Yates, but I am not sure if this is a temporary action as part of the story, or if it occurs during Mike’s downfall on the television series (From The Green Death to Planet of the Spiders). Therefore I don’t know yet if it is in Mike’s future at the time of this story. Perhaps someone reading this will know more.

Overall: A fairly weak Third Doctor story, which is a pity. I did enjoy it at first, but when I saw how it was progressing, it didn’t really hold my interest. On to the Fourth Doctor!

Next time: We’ll meet up with the Fourth Doctor and Leela in The Ghost Trap. See you there!

All audio dramas featured in this series may be purchased from Big Finish Productions. This story’s purchase page is linked below.

Time Tunnel

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Audio Drama Review: Davros

We’re back, with another Big Finish Doctor Who audio drama review! Today we’re listening to Main Range entry #48: Davros, written by Lance Parkin and directed by Gary Russell. The second in a loose tetralogy of stories leading up to (and including) the fiftieth Main Range entry, this story features Colin Baker as the Sixth Doctor, squaring off against an old enemy: Davros, creator of the Daleks! Notably, this is Davros actor Terry Molloy’s first appearance in a Big Finish audio drama, and his first appearance as Davros in any medium since 1988’s Remembrance of the Daleks. With that said, let’s get started!

Davros 1

Spoilers ahead for anyone who has not listened to this audio drama! For a spoiler free review, scroll down to the next picture.

I am attempting to make these plot summaries less lengthy, less detailed, and—perhaps most importantly—less spoiler-filled (though spoilers will always be available here, so be warned!). Please bear with me as I work toward that end. Detailed summaries are usually available at the Doctor Who Reference Guide and the TARDIS Wiki (see the sidebar for links).

Part One: In a flashback, the Kaled scientist Davros survives a bombardment by the Thals, but sustains horrible injuries. His people expect him to die honorably at his own hand, and they give him a poison injector. Davros, instead, chooses to live, that a stronger race may replace the Kaleds.

Arnold Baynes, the CEO of the corporation TAI, and his wife Lorraine (a dedicated scholar of the Daleks and Davros) steal the body of Davros from a freighter. They transport him to their home planet and facilities, planning to revive him. As they do so, they get more than they bargained for, when the Doctor arrives. Over the Doctor’s protests, they revive Davros—and offer him a job in research and development. Seizing an opportunity, they force the Doctor to join them as well—and to work with his old enemy. The Doctor agrees, planning to keep an eye on Davros. Soon the two old enemies are playing the Baynes and their associates against each other, each trying to expose the other as a villain and interfere with each other’s plans.

Along the way the Doctor meets an investigative reporter named Willis, and the two assist each other with their own goals. Meanwhile Davros continues to have flashbacks to his early life, before the Daleks, and examines his own mind and upbringing. As things progress, Davros does at first seem to have turned over a new leaf; he produces technologies which will help address famine in the galaxy, and a formula that will give mastery over the stock market. Meanwhile the Doctor produces a new neural matrix. One of the Baynes’ employees, Kim Todd, leads the Doctor and Willis to a hidden production area that manufactures mining robots, and the Doctor discovers that the new matrix has been implanted into them, which makes them very dangerous indeed. Suddenly one of the robots activates, and attacks…

Part Two: As Arnold speaks with Davros, he gets an alert about the robots. Davros takes the opportunity to insinuate that the Doctor may be responsible—and maliciously so. Baynes and his guards destroy the robot, but Baynes accuses the Doctor of provoking it, and has him locked in his room. Meanwhile, Davros begins to corrupt Lorraine, telling her about what he can do with the stock market formula, and the power it could give him; but he slips and refers to her as Shan, which is the name of a female Kaled scientist of whom he was once fond.  Nevertheless, Lorraine keeps the formula secret from Arnold. Instead, she discusses the Doctor and Willis with Arnold; he wants to deport them, but she wants to have them killed, so as to prevent them from linking the Baynes to the attack on the freighter. Davros intervenes and asks to have the Doctor kept close at hand, but under surveillance, to which Arnold agrees.

Davros then contacts Willis and reports that Baynes possesses an atomic bomb, which is highly illegal. He gives Willis the bomb as proof, and also tells him about the stock formula. However he warns Willis that, should Willis share the formula with everyone, stock would become meaningless, and the economy would collapse into anarchy. This is what Davros wants, however, as he could then implement a new, war-based economy and power structure. Willis is appalled, and asks the Doctor to meet him in the mines beneath the company dome. However, Arnold hears this and tags along.

Davros collects Kim, needing her to transmit the formula and other messages on the galactic data net (as he lacks the authorization to do so). Lorraine arrives, and Davros tells her about Shan, the woman who first proposed the idea of the Daleks to him—even the word itself. However, he also explains that it was he who put the idea into practice, and he denies that he loved Shan, or anyone. He then explains how he had her framed and killed for treason, and refused to even credit her for the scientific matters. Now, Lorraine will witness as he destroys his enemies again. And with that, he activates the detonation sequence on the bomb—which, of course, he himself built. Beneath the dome, the Doctor is able save himself, Willis, and Arnold, but only by dropping the bomb down a fifteen-mile-deep mine shaft before it detonates. The mines are still heavily damaged and polluted—but the dome above is intact. Water begins to flood into the mines, clearing enough of the irradiated environment to prevent them from dying at once—but Arnold and Willis are separated from the Doctor. In that opportunity, Arnold kills Willis to prevent him from ever revealing what he knows. He manages to make it look like an accident, fooling the Doctor as well. Meanwhile, Davros strongarms Lorraine into making him the new CEO, on the assumption that Arnold is dead.  He orders Kim to transmit the formula; she refuses, and he punishes her, and threatens her with death if she disobeys again. He also tells Lorraine to begin liquidating TAI’s assets to fund a mercenary army…while money still means anything at all.

The Doctor and Arnold escape the mines, but the dome is sealed. However, the Doctor has an unexpected ace—his TARDIS is nearby. He uses it to transport them into the sector where Davros waits. Lorraine quickly tells them what Davros is doing. The Doctor pauses to summon the mining robots to help them, but Arnold runs to confront Davros. He takes the chance to try to enlist Davros in a scheme to save the company and grow rich—but if Davros won’t, well, he can still escape in Arnold’s personal ship, which is close by. Davros fires electricity at Arnold to torture him into revealing the access code; Arnold dies, and Davros prepares to flee. The Doctor holds Davros at gunpoint, but Davros knows the Doctor won’t shoot him; he takes Kim hostage using the Kaled poison injector, and demands the formula disc. The Doctor instead shoots the communications console. Davros flees with Kim into the ship, making one last unsuccessful attempt to kill the Doctor as he does so. He is enraged, knowing it’s the Doctor who has power over life and death here, not him. The ship launches. Lorraine reveals that as long as it is in the atmosphere, they can override its controls; but Davros realizes it as well, and tries to activate the hyperdrive and escape, knowing the Doctor won’t cause a crash with Kim aboard. Kim realizes it as well, and grabs the injector and kills herself with it. The Doctor then steers the ship back toward the planet, and—not without regret—activates the hyperdrive, crashing the ship.

Still, he fears that Davros is not truly dead. TAI is not dead, either; and with no evidence that Davros was ever here, it will rebuild. This leaves the Doctor angry, and he downloads the records of the ship’s last flight—the one in which Davros was pulled from the freighter. He intends to use it to see Lorraine held responsible—even though he blames himself for all the deaths.

Davros 2

Unlike the previous entry, Omega, there’s no big twist here. That’s largely due to the fact that this story serves as a bridge between two well-known Davros stories: Season 21’s Resurrection of the Daleks and Season 22’s Revelation of the Daleks. You can only do so much with the plot when you already know where you have to land, as a general rule. I should point out that the story isn’t entirely successful as a bridge; it ties nicely into Revelation, but not so much into Resurrection. I’d go so far as to suggest that there really should be another Davros story between Resurrection and Davros, explaining how he gets from the prison station (or its pod) and his encounter with the Movellan virus, to the freighter where he begins this story in apparent good health. (Well, good for Davros, that is.) Maybe one day we’ll get that story.

What we have, instead of a twist, is another great character study for Davros. All of his stories tend to turn into character studies, really; he’s such a fascinating character that, despite the fact that he’s actually a very one-note individual, we never feel like we get to the bottom of his characterization. Even if the things he says about power are appalling, I could listen to him rant about them all day, simply because he believes them so strongly. The man is evil, no question about it—but he believes in what he says. I don’t even suggest that he believes he’s right; every average villain believes that about himself. Davros doesn’t care if he’s right; he has, quite simply, made his choice, and he stands (er, sits) by it. I have yet to find a Davros story I didn’t like, simply because that’s such a rare and unflinching trait for a villain (or even a hero!). And of course the Doctor, when it comes down to it, is not that different; while he does believe in doing what’s right, he has less justification for the rightness of his actions than he has conviction that he is right. Davros, perhaps—no, definitely–sees the similarity more than the Doctor does…and so their conflict goes on.

Fifteen years may have passed since Terry Molloy played Davros, but he hasn’t lost it at all. He’s as convincing here as ever, despite being in what is, admittedly, a very contrived situation (the Baynes’ hero worship of him, their desire to give him a job, etc.). Or maybe it’s not so contrived—after all, America is currently seeing a resurgence of the Neo-Nazi movement, which isn’t so different. At any rate, Molloy’s performance is spectacular. Supporting actors aren’t bad, but they don’t stand out, either; however, this audio does set the foundation for 2006’s I, Davros series, in which Molloy, Katarina Olsson, and David Bickerstaff would reprise the roles of Davros, Shan, and Ral. That series would take the flashbacks present here and expand on them, delving into Davros’s early life up to a period about six months prior to Genesis of the Daleks. I should also mention that a few other veteran DW actors appear here: Bernard Horsfall (most notably, Chancellor Goth) and Wendy Padbury (Zoe Heriot) play the roles of Arnold and Lorraine Baynes here. Lorraine Baynes, in particular, is likely a nod to the character of the same name (spelled “Baines”) from Back to the Future.

Researching this story, I found unofficial statements to the effect that this is chronologically the earliest audio appearance for the Sixth Doctor (in-universe, that is), but I could find no actual justification for that placement. His companion at this point is Peri, but she is absent here; he mentions in passing that she is attending a biology symposium on the other side of the galaxy. I also saw a suggestion that the story occurs between The Two Doctors and Timelash. If anyone has any further information regarding any part of this placement, I’d love to hear it! As for the in-universe date, there isn’t one, as is common with most stories involving Davros, Skaro, or even Gallifrey. (Davros may occasionally time travel, as do the Daleks, but when dealing with his natural lifetime, the writers have always been reluctant to pin it down. Some events just never really get a solid placement, I suppose.) However, humanity doesn’t appear to have spread outside its home galaxy yet, so we’re not dealing with the far future.

Continuity References: There are numerous items that will be picked up on in I, Davros, so I won’t list them separately. Davros mentions the Fifth Doctor threatening him in Resurrection of the Daleks, and he describes his own imprisonment as discussed in that story. Arnold Baynes mentions that Davros was ostensibly killed by the Daleks shortly after their creation (Genesis of the Daleks). The reporter Willis mentions having reported on events on the planet Stella Stora in which the Doctor was involved (referenced in Terror of the Vervoids). Davros claims to have no eyes, ears (or at least the receptors in his ears), or taste buds, all due to the Thal bombardment that nearly killed him, but this is ultimately contradicted by The Magician’s Apprentice/The Witch’s Familiar, in which Davros uses his natural eyes. Also, not so much a reference as a lack of one, but I was disappointed to find that there were no references to the upcoming Zagreus here, as we had in the preceding story. Can’t win ‘em all, I guess.

Overall: No complaints here. As I said, I have yet to meet a Davros story I don’t like. I’m glad to have taken the time to listen to this one.

Next time: The Seventh Doctor faces another old enemy in Master! See you there.

All audio dramas featured in this series may be purchased from Big Finish Productions; this story’s purchase page is linked below. This and many other selections may also be found on Spotify and Google Play.

Davros

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Audio Drama Review: Omega

We’re back, with another Big Finish Doctor Whoaudio drama review! Today we’re continuing the Main Range of audios with Omega, the forty-seventh entry, and the first in a short tetralogy leading up to the fiftieth entry, Zagreus. Written by Nev Fountain and directed by Gary Russell, this story was published in August 2003, and features the Fifth Doctor, traveling briefly without companions. Let’s get started!

Omega 1

Spoilers ahead for anyone who has not listened to this audio drama! For a spoiler-free review, scroll down to the next picture.

Part One: The Fifth Doctor appears aboard a Jolly Chronolidays time-travel tour, which visits the Sector of Forgotten Souls, an area of space prone to strong distortions…and mental disturbances for its visitors. It is also the place where the legendary Time Lord Omega used his stellar manipulator to create the Eye of Harmony…and where he vanished into a black hole, leading to an antimatter universe. His ship, the Eurydice, is rumored to appear here every 100 years. Indeed, the ship does appear, prompting the Doctor to spring into action—only to learn that it’s a sham, a play put on for the tourists. The ship is, in fact, the heritage center ship of Jolly Chronolidays. However, things take a turn for the worse when actor Tarpov, reenacting the role of Omega’s associate Vandekirian, plays his role a little too well, and attempts to assassinate Daland, the actor playing Omega. Later, he fulfills another bit of the legend, and burns off one of his own hands in the ship’s waste disposal system. The Doctor and tour guide Sentia, accompanied by an odd old historian named Ertikus, save Tarpov’s life…but then the real Omega comes to kill him.

Part Two: Omega is interrupted by a medibot, which is then destroyed by another, unknown assailant. Meanwhile the Doctor, now unconscious, meets Omega in a sort of dreamscape, where Omega rehearses their recent encounter in Amsterdam. The old Time Lord asks the Doctor’s help in returning to the antimatter universe, where he feels much more at home, having given up his ambitions against the Time Lords (though not his fear of them). After some argument, the Doctor agrees. During this time, Sentia locks the remaining elderly tourists in the heritage center’s cafeteria. Daland summons her to Tarpov’s unconscious body, surrounded by the wreckage of the medibot. Sentia knocks him out. Soon the Doctor awakens and joins her, saving Tarpov from bleeding out; Ertikus soon joins them, and says that the real Eurydice has appeared, surrounded by a dimensional anomaly (which, unfortunately, is fatal to humans—though a Time Lord can survive it). Ertikus wants to explore it; the Doctor calls him out, demonstrating that Ertikus is a Time Lord, with a hidden TARDIS. He admits it, though he is on his last life. But, where is the Doctor’s own TARDIS? With it not present, the Doctor joins Ertikus and travels over to the Eurydice. As Ertikus goes to explore, Omega—now proven to be a non-corporeal entity after his battle with the Doctor in Amsterdam (Arc of Infinity)—contacts the Doctor and directs him to repair the engines, which have been affected by the dimensional instability. He suggests using Ertikus’ TARDIS to stabilize the area, which the Doctor does; however, the engines still won’t start, as they require the handprints of the original—and now dead—crew. The Doctor works on a remote bypass. As he does so, he debates with Omega about Omega’s legacy on Gallifrey. Meanwhile, Sentia brings the heritage center to meet the Euridyce. Ertikus, meanwhile, finds a mass of psionic energy…which appears to be a race of thought-based beings, who call themselves the Scintillans. The creatures attack him.

The Doctor finishes the remote, and plans to activate it once he and Ertikus leave the Eurydice, sending Omega back through the black hole as requested. However, they are interrupted by Ertikus, who insists that the Scintillans represent some great hidden crime of Omega—it is this knowledge, he alleges, that led Tarpov to madness and harm. The Doctor convinces him to leave the modifications to his TARDIS in place, at Omega’s urging—but why? He soon realizes that Omega’s plan is to allow Sentia to enter the Eurydice. She brings the heritage center to dock, and says she has brought Daland as well…to officiate her marriage to Omega! However, Tarpov bursts into her control room with a gun, and fires.

Part Three:  Tarpov has destroyed the comm system. Now, with Omega not listening, he tells Sentia about the Scintillans, trying to turn her against Omega. He then gives her the gun, and flees the control room. Sentia joins Omega on the Eurydice, but the Doctor refuses to allow the marriage; he knows that Sentia will only survive joining Omega in the antimatter universe if Ertikus’ TARDIS remains here, but that means that he, Ertikus, and the tourists will die. Omega and Sentia storm out, and the Doctor connects with Daland to gather information. He then encounters two old ladies from the tour group, and leaves Daland to wait as he returns them to the heritage center. Meanwhile Tarpov is accosted by Scintillans—and then murdered by Omega. Daland and Ertikus hear him scream, and separately come running; the Doctor is examining the body when they arrive. But, how is the incorporeal Omega carrying out these acts? As the mystery deepens, the Doctor leaves Daland and Ertikus—who now suspect each other—to watch each other as he goes to question Sentia. Omega gives Sentia the engine remote, which he has somehow taken from the Doctor, and tells her that this now means the Doctor has no choice but to help them. The Docttor tries to reason with her regarding Omega’s obvious madness and lack of concern for everyone else, but she is not swayed. However, he broadcasts their conversation through the PA system, warning Daland and Ertikus to get all the tourists into Ertikus’ TARDIS. Omega arrives and kills Ertikus. The Doctor reveals a plan to trap Omega in a piece of Ertikus’ TARDIS’ telepathic circuit, but now he doubts it will work. Instead he uses it to send a telepathic distress call to the Time Lords, much to Sentia’s horror. However, with Daland and Sentia at hand, he sets up a mock wedding, hoping to lure Omega in. During this time, Daland sees video footage of Ertikus’ murder—and he turns on the Doctor, pulling a gun on him. He plays the footage, revealing that it was the Doctor who murdered Tarpov and Ertikus! Moreover, the Doctor in the footage speaks in two different voices—and one of them is Omega’s. It seems there are two minds in the Doctor’s body. They are both stunned when a TARDIS—the Doctor’s TARDIS—materializes, and the real Doctor steps out.

Part Four:  The real Doctor explains that, when Omega copied his bioprint, he also got a copy of the Doctor’s mind print. Surviving their battle in Amsterdam cost him his sanity, and now the two personalities vie for control. Omega passes out, missing this explanation, though that personality is aware of it; the pseudo-Doctor personality is not. As he revives, the Doctor agrees to send him home as quickly as possible, and with his TARDIS here, he can leave Ertikus’ TARDIS behind to secure the dimensions, taking the tourists with him in his own TARDIS. Sentia, it seems, can join Omega after all. However, they hear a ship docking, which Omega believes to be the Time Lords. The Doctor talks him down—after all, wouldn’t the Time Lords arrive in TARDISes? However, his argument is sabotaged by the sound of a TARDIS. It proves to be Ertikus’ TARDIS, which in its grief is trying to flee into the vortex. The Doctor tries to calm it, but to no avail. It vanishes, and the anomaly begins to return, causing Sentia to phase in and out. Meanwhile Omega is attacked by the Scintillans, who cause him to recall his childhood and the Academy, and the story of how he got his name. The story ends with him launching the stellar manipulator—and wiping out the Scintillans. The Doctor uses his own TARDIS to stabilize the anomaly, and then learns that the docking sound was the heritage center docking with the Eurydice. Daland comments on the Doctor’s uncanny knowledge of the situation; the Doctor explains that he was given the transcript of the distress signal sent by his doppelganger. He scans for psionic energy, and finds Omega under attack; but the Scintillans, it seems, are not real—they are extensions of Omega’s own mind, fueled by the psionic energy loose in the region. This also explains all the other psychic phenomena, including Tarpov’s madness. Worse, the Doctor recognizes the name “Scintillans”…he leaves the engine remote with Daland and runs to deal with Omega. Sentia reveals that she already knows that Omega killed the Scintillans, for which he can’t forgive himself—but she forgives him. He cannot accept her forgiveness, considering that also to be a crime, and he attacks her. The Doctor finds her battered form, and she explains that Omega—still in his Doctor form—stowed away in Ertikus’ TARDIS while the historian was visiting Amsterdam for research, and came here. She says that she nursed him back to health, and joined him, thinking that once in the antimatter universe she can help him be free of the Doctor persona. He gets her help to free the tourists and get them aboard his TARDIS, but they are all affected by the psionic energy and channel the Vandekirian persona. The Doctor pretends to be Omega to get them to the TARDIS, where they will be safe. Omega then arrives, raging in his guilt; the real Vandekirian’s long-ago betrayal caused his ship to malfunction, killing the Scintillans, and he cannot forgive himself.

However, the Doctor stops him, and tells him the real story. The Scintillan matter is not Omega’s crime; it is the Doctor’s. He once accidentally caused the Scintillan genocide while helping another species, and Omega has absorbed and adapted that memory. The Doctor, it seems, is much more guilty than Omega—if not by choice. However, Sentia announces over the intercom that she has stolen the engine remote; and she activates the engines. The Eurydice plunges toward the black hole. The Doctor realizes that Sentia has made her choice, and cannot be saved; but now he faces a dilemma: stay and risk the lives of the tourists and Daland (not to mention himself), or leave and risk Sentia’s life (plus the two old ladies, who are once again missing from the group)? Daland chooses for him, activating the TARDIS. As it disappears, the anomaly reasserts itself again, and Sentia is torn apart; and Omega, still screaming, is pulled into the black hole.

The Doctor tries to work through it all in his mind; but suddenly, one of the old ladies materializes in the console room—much like a TARDIS! In fact, she is a TARDIS, and her companion is the pilot, who emerges into the room. They claim to be from the Doctor’s future, representatives of the Gallifreyan Celestial Preservation Agency, which exists to keep history under control. They have come to maintain the story of the Time Lord who made a mistake…but it is not Omega they seek, but the Doctor. They state that they can’t have the story of the Scintillan genocide getting out, and to that end, they pick up the only surviving witness: Daland. They offer him a role in a future Gallifreyan museum; it will be his greatest role yet, playing the part of the Doctor himself. The Doctor, it seems, is a hero in their time, and they want it to stay that way. But before they go, the offer the Doctor a story—the story of his encounter with Omega as it will be remembered in the future.

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Nyssa: Is Omega dead?

Doctor: Well, he seemed to die before, yet he returned to confound us all.

–Arc of Infinity

I’ve been hearing about this audio drama for quite some time, so I was excited to finally get here (even if I ended up delaying it by several weeks or months—apologies!). Since reading Lungbarrow a few years ago, I’ve been fascinated with the founding era of Time Lord history, a much-debated bit of history to which our antagonist, Omega, belongs. We’ll revisit and expand on that history here, if not in the direct way that Lungbarrow and some of the other New Adventures did.

Chronologically, we last saw Omega on television in Arc of Infinity, in which he copied the Fifth Doctor’s bioprint and took on the Doctor’s form before being defeated in Amsterdam. Here, we discover that the ancient Time Lord didn’t meet his end there, but continued on in a…we’ll say “fractured” form. I should pause here and say that, though this is Omega’s next adventure, it’s a little unclear where this story fits in the Doctor’s timeline. Going by production codes and the lack of companions, the Doctor Who Reference Guide authors suggest that it occurs during the brief local holiday referenced in the closing minutes of Arc of Infinity. (I’m a little rusty on that serial myself, and I don’t remember it being set out that way, but I just report this stuff, I don’t make it up.) Allegedly during that time, Tegan and Nyssa remained on Earth while the Doctor responded to the situation laid out in this story. Take that as you will; my thought on the issue is that it doesn’t really matter, as the Doctor could experience these events during any solo period after Arc of Infinity.

There’s a major twist in this story that I really don’t want to spoil here, and I expect it will be hard to dance around it if I begin to get into the plot—so, pardon me if the review seems sparse on that point. We open with the Doctor on a spaceship, touring the Sector of Forgotten Souls with Jolly Chronolidays time-travel tours (though “time-travel” is a misnomer; real time travel has fallen out of fashion, and the tour line is given to recreating historic events these days). Jolly Chronolidays is highly reminiscent of Nostalgia Trips, the travel firm from Delta and the Bannermen, though on a larger scale—but, as it turns out, just as shady. The tour is visiting the area where, legend has it, the Time Lord Omega detonated a star to gift his people with the power of time travel—and where he was subsequently lost to a black hole. It is said that his ship, the Eurydice, reappears here every hundred years. No one expects the story to be true—but it is. Likewise, no one expects the real Omega to attend the event.

The only real negative about this story is that it can be a bit hard to follow. I post these reviews on the /r/Gallifrey subreddit, as well as here on the Time Lord Archives; the version here on the blog includes a (skippable if necessary) plot summary that doesn’t fit on the subreddit. For that reason, I often consult the wiki and the reference guide to ensure I’m not missing important details. In doing so, I was able to follow this story much more closely; I don’t think I’d have been as successful if I was only listening. I think that that is probably intentional; Nev Fountain clearly had to jump through some hoops to obscure the aforementioned plot twist. Still, it’s nothing so immersion-breaking as, say, the dual renditions of Flip-Flop, so I can live with it.

Strongly on the positive side: This story does a great deal to humanize Omega. His appearances in The Three Doctors and Arc of Infinity leave one with the impression that he’s just another one-dimensional villain. He wants revenge, and he doesn’t care who he hurts in the process. That impression doesn’t fit with the fact that the Doctor has cited Omega as one of his heroes, though. This story brings forward the often-overlooked fact that Omega’s experiences have driven him insane—even more so after his battle with the Doctor in Amsterdam. The Omega we see here, while still possessed of a violent side, is broken, and he just wants to go home and be healed. We get glimpses of his past, including the story of how he got his name (based on terrible marks at the Academy); and we learn that not all of his crimes are as straightforward as they may seem. He ends up both tragic and pathetic; but you find respect for the good man that he once was. I think the Fifth Doctor is especially well chosen for this story, not only because he was the last to battle Omega, but also because he tends to see the good in people perhaps more than the Fourth or Sixth of Seventh; and here we get to see Omega through his eyes.

I find it interesting that the Time Lords are quite well known here. Not only is the species known, but their history seems to be common knowledge. That fact alone leads me to think that this is quite far forward in history (although of course we don’t know if the tourists we see here are human! They could be simply humanoid). It’s a situation that really could only happen before the Time War, as the war seems to have fractured or removed knowledge of the Time Lords all up and down the corridors of time.

This story is, as I mentioned, part of the tetralogy that ends with Zagreus; and I gather that each of the three stories prior to Zagreus have a bit of foreshadowing of that story. Here, it comes in the form of a hologram of Zagreus (or what he is believed to look like anyway) on the Jolly Chronolidays ship. It will be interesting to see where it shows up in the next two entries.

Continuity: Not a lot of references, but enough to firmly establish this story. I’ve already mentioned Omega’s last appearance. The Doctor makes reference to the Sontaran invasion in The Invasion of Time. The Shabogans are mentioned (The Deadly Assassin). The Eye of Orion is mentioned, several stories before the Doctor finally makes it there in The Five Doctors. Praxiteles, first mentioned on television in Planet of Fire, is mentioned here (though chronologically earlier for the Doctor). The Hand of Omega is referenced (Remembrance of the DaleksLungbarrow, et al.). The creation of the Eye of Harmony is mentioned (Remembrance of the DaleksThe Deadly AssassinJourney to the Center of the TARDIS). The Doctor sits in seat 6E on the tour ship, which is a subtle reference to Arc of Infinity–that serial’s production code was 6E. The Doctor first discovers the far-future Celestial Preservation Agency here; I am a little surprised to discover that this seems to be its only appearance so far. However, I mention it because its representative travels in a human-form TARDIS, which—although not declaratively stated as such—appears to be a Type 103 TARDIS (The Shadows of Avalon, many other books in both the Doctor Who and Faction Paradox libraries). The Doctor here claims to be almost nine hundred years old. The Doctor mentions that TARDISes sometimes hurl themselves into the vortex out of grief; this is mentioned in the charity anthology Seasons of War in the short story Corsair. The Doctor comments that they must end up at some sort of graveyard at the end of time; he will later visit that location in The Axis of Insanity. The Doctor at one point mentions helping a group of Lurmans; this species was first seen in Carnival of Monsters, though he is not referring to the events of that story here.

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Overall: A very enjoyable story, with a twist that I honestly should have seen coming, but didn’t. I expect it will be that way for most people—right from the beginning, and especially if you have seen Arc of Infinity (which you really should), you have everything you need to figure it out. The story does a good job of hiding the fact that there will BE a twist, though, so perhaps I shouldn’t be too hard on myself. I hope that the other upcoming entries—before the reputed trainwreck that is Zagreus–are this good.

Next time: We visit the Sixth Doctor and an old enemy in Davros! See you there.

All audio dramas featured in this series may be purchased from Big Finish Productions; this story’s purchase page is linked below. This and many other selections may also be found on Spotify and Google Play.

Omega

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Audio Drama Review: Little Doctors

We’re back, with another Big Finish Doctor Who audio drama review! It’s been awhile, but today we’re continuing the Short Trips range with the second entry of series five, Little Doctors. Released on 6 February 2015, this story was written by Philip Lawrence, read by Frazer Hines, and features the Second Doctor, Jamie, and Zoe. Let’s get started!

Little Doctors 1

Spoilers ahead for anyone who has not listened to this story! For a spoiler-free review, scroll down to the next picture.

Zoe Heriot transmats into a maintenance corridor. Still in touch with Jamie McCrimmon over a communication circuit, she encounters a small gremlin, which leaps at her.

The transmat hub of the planet Olympos is busy and bustling, watched over by its superintending computer, Zeus. Zeus monitors a pair of humans, Lev (female) and Drex (male), whom he has matched up, as they head home; and he muses on the many pastimes he offers to the humans under his care. Lev and Drex are now expecting a child, and Zeus watches them select and buy a crib from a matter former—but instead of a crib, a giant, blue, wooden box materializes…

Inside the TARDIS, Zoe watches as the time rotor comes to rest. The Doctor congratulates himself on the landing. Jamie isn’t so optimistic; but he affectionately hides his concern from the Doctor as the Time Lord checks the scanner for any dangers outside. With no problems detected, the Doctor leads them outside—and encounters Lev and Drex, who are utterly perplexed by the box, its inhabitants, and the travelers’ clothes.

Lev and Drex recover quickly enough, and introduce themselves. They announce that they are collectors of twentieth-century Earth artifacts; and they begin to show off their collection. The Doctor, however, finds it disturbing; the items are far from accurate. Jamie asks where the items were from, and Drex explains that they have earned them—or rather, earned the points that are used to manufacture the items in the matter former (or plasmonic converter, as Drex calls it). As they leave the room, the converter springs into life again, producing a robot that examines the TARDIS—and sends its results back to Zeus, who is concerned.

The travelers use a moving platform to visit the city, much to Jamie’s consternation. The Doctor remarks on the pastel sameness of the people as they approach. They sample some nutritional paste—terrible, admittedly—prompting the Doctor offer Drex a jelly baby. It’s an intense experience for the local—but he accepts the rest of the bag. Zoe notices the microdomes of hydroponic farms spread among the surrounding buildings. Finally Drex and Lev have to leave to go to work, leaving the time travelers alone.

Zoe is impressed with the city; she remarks that colonies like this were being planted in her time, and as Jamie mentions, the people seem happy. The Doctor is less charitable; he feels the people have no spark, no vitality. He is at first annoyed at the idea of Zeus—until Zoe explains that it is an artificial intelligence, governing the colony. The Doctor decides to speak with Zeus, and tampers with a transmat booth to allow passage to the control zone. Zeus decides to allow it, but warns his council members to acknowledge the visitors, but not approach. When the Doctor and his friends arrive, he announces his desire to speak with Zeus, but the council members ignore him; but the nearby converters begin to hum, producing a stream of robots called Enforcers—shaped like armor mounted on small tanks. The Doctor and his friends run.

As they race through corridors, fleeing the Enforcers, Zoe casts back through her own photographic memory, trying to remember the plans for these colonies. At last, she leads them to a chamber with an old, rusty headset—a neural interlink, connecting to the Zeus mainframe. The Doctor puts it on, and for him, everything goes dark.

Later, the Council members apologize for the misunderstanding; Zoe accepts the apology, as the Doctor is unconscious in an infirmary. His mental contact with Zeus had provided them with safe identities, but the effort had left him unconscious. However, as they watch his sleeping form, the attached medical monitors abruptly melt, then return to their own shape. Suspecting a power drainage, the council member leads them back to central control, where a technician claims to have seen childlike figures in various nodes of the system. He accepts Jamie and Zoe’s help, giving them communicators and transmat access in order to figure out the problem. Jamie visits the first site, and finds bubble gum pasted over the camera lens through which the technician would have been watching. He then hears a commotion, and rushes back to Zoe, finding her thrashing about, wrestling with a strange, cackling, childlike creature. Jamie throws it to the floor—and suddenly they find that it looks like the Doctor! The creature escapes to the top of some shelves, taunting them. It throws instruments at them, laughing all the while. The technician tells them he is repairing the system damage now. Jamie gets ahold of the creature and knocks it out. The technician calls back that a dozen more power failures are happening as they speak. The figure melts in front of them—it is a plasmonic construct, just like the Enforcers. And to their horror, they realize there are plasmonic converters all over the city.

In his quarters, Drex finds a miniature Doctor in his bathroom. Across Olympos, others find the creatures as well, destroying things everywhere they can like true gremlins. The people panic, running and screaming. The creatures appear in the control room as well, pressing buttons at random. Zoe realizes that the Doctor’s contact with Zeus must have altered the Enforcer programming. The only hope is to reprogram Zeus—and only she can do it. She runs to the neural link.

Two of the duplicate Doctors have found the original, but Jamie knocks them off of the Doctor, who promptly wakes up. Meanwhile, Zoe puts on the link, and finds herself in a mindscape of a building under slow but steady destruction.

The Doctor and Jamie arrive at central control, soaking wet—the creatures have taken over Weather Control, and it is pouring rain. However, the Doctor points out something remarkable: while the creatures are destroying things, they are also spreading color all over the colony, painting the streets with sauces, growing flowers in the hydroponic domes, and even causing a rainbow in the sky. The people, long held to regularity and drabness, are intoxicated with the spectacle. The Doctor decides the duplicates are benevolent after all. He pulls something from his coat, and heads for the loudspeaker controls.

Zoe finds a door which won’t open, from which a voice warns her away.

The Doctor plays his recorder over the loudspeaker, and the notes of “God Rest Ye, Merry Gentlemen” play over the colony. One by one, the creatures fall asleep. However, Zeus is still behaving abnormally.

Zoe finds the virtual version of the little Doctors to also be sleeping now. The door opens, and she finds a pale, anxious man behind it. The man pulls her into the room, which is a massive, ancient document library. The man is Zeus’s avatar; he asks for her help, and then informs her he is making a weapon.

Lev and Drex watch their baby in its amniotank. Drex, for the first time, feels true emotion toward Lev, and is pleased by it—but suddenly Weather Control goes offline, and the room becomes chilly. Back at Central Control, other systems go offline as well. Before long, a hurricane arises, and chaos begins to settle in. Zeus diverts more power to his scheme. Meanwhile, Zoe tries to persuade Zeus to stop, but he insists on protecting the colony—by any means necessary. A blast of power from the satellites would take care of the aliens—and if there were casualties along the way, well, logic allowed for that. But, Zoe suggests, perhaps there was more to life than logic?

The Doctor persuades the colonists to sacrifice their plasmonic items—including the little Doctors—for reversion in order to give the system enough power for a modicum of stability. Then he races to the neural link—but finds Zoe already occupying it. Inside the library mindscape, Zoe tears through the shelves, until she finds the TARDIS. Zeus can’t help being captivated; the TARDIS represents the lure of the unknown. As he stares, one of the little Doctors knocks out the avatar with a book.

The Doctor takes advantage of the lull to reboot the computer, and return things to some form of normalcy. However, before he and his friends leave, they provide the colonists with new possessions: Not furniture, not treasures, but the materials and tools to make their own. As they leave, Lev and Drex set to work, building new furniture.

Inside the TARDIS, Jamie suggests resting a bit before taking off; and reluctantly the Doctor concurs. However, Jamie yanks the dematerialization lever; as she says, they could sit around, but where’s the fun in that? And in their wake, the colony surges to life.

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Despite being read by Frazer Hines, this is chiefly a Zoe tale. She is central to the cold open, and is the real hero of the story, such as there is one (there’s not a lot of conflict to be had here, so the level of heroism is debatable). The story takes us to an Earth colony called Olympos, which is one of a series of such colonies built during Jamie’s time (although this one seems to have been long established at this point). Zoe is fascinated, but the Doctor finds the colony to be alarmingly dull and uniform; the people, led by the supercomputer Zeus, have lost their vitality and spark. The Doctor sets out to change that; but when he inadvertently causes the creation of hordes of miniature copies of himself, it becomes clear that he may have done more harm than good. It’s up to Zoe to put an end to the crisis—and maybe, just maybe, leave the planet a bit better than they found it.

Frazer Hines, as always, is good at what he does. I’ve always acknowledged that he captures the Second Doctor’s voice and mannerisms as well as anyone could expect. Unfortunately there’s not a lot of call for that here; there’s very little dialogue for the Doctor, who even spends a chunk of the story unconscious. Hines makes up for it with enthusiasm, and the story ends up being a pleasure to listen to.

That’s a good thing, because I suspect I’d have been a little frustrated had I been reading it instead of listening. It’s not a bad concept or plot; but in the second half it begins to jump around quite a bit. There were several times when I caught myself skipping back to listen again, thinking to myself “Now wait, how did they get there?!” Viewpoints shift among the characters frequently, and vital details are often given quickly and only once. It’s a lighthearted story, but it’s one to which you must pay attention; if your mind wanders, you will definitely miss something.

Still, it’s a good listen. The early anthology short trips, notably, ran shorter than the monthly editions; with the Second Doctor, especially, this always made the stories feel cramped to me. His television stories, while action-packed, seem to me to be more of a slow burn than those of some of his successors. He needs a little more time to build a good story. I’m glad to see he’s getting it here, even if there are some structural problems with the story; this story clocks in at about thirty-three minutes. It makes me look forward to future Second Doctor short trips. And, as always in this range, the story is supremely affordable at $2.99 (or the pound equivalent thereof), so there’s little reason not to check it out if you haven’t done so.

Next time: We’ll join the Third Doctor, Jo Grant, and UNIT in Time Tunnel! See you there.

All audio dramas featured in this series may be purchased from Big Finish Productions. This story’s purchase page is linked below.

Little Doctors

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