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All material posted on this site is the original creation and property of the site’s owner.  Please note that the author also regularly contributes to other sites, such as Reddit’s /r/Gallifrey subreddit and the TARDIS wiki.  Any material duplicated in those locations is not plagiarized here, but has been written by the same author in all three locations.  Some material has been reused as appropriate, without plagiarism.

Charity Zine Review: A Pile of Good Things, and The Birds of Sweet Forgetfulness

We’re back, with another charity zine review! Today we continue our look into the Eleventh Doctor charity zine, A Pile of Good Things, edited by Ginger Hoesly. We’re picking up with a contribution by Paul Driscoll, titled The Birds of Sweet Forgetfulness. Here we catch the Doctor at a low point in his life—read on!

As always, there will be spoilers ahead! For my rationale regarding spoilers in charity and fan works, check out the first entry in this series. To avoid spoilers, skip ahead to the next divider. And with that, let’s get started!

A Pile of Good Things cover art

The Doctor is alone—but it’s by his choice. In the wake of the exit—he refuses to call it a loss—of Amy Pond and Rory Williams, he has, at last, had enough. Now he parks his TARDIS on a cloud (on Earth, though, in the Victorian era; he can’t bring himself to let go completely even now) and hides from the multitude of distress signals the time machine brings in, and wishes he could forget. But that is the one thing a Time Lord can never do; forgetfulness is for humans and other races. Still, there is a place that may be able to help with that… And so the Doctor makes a short trip to the planet Galfaria, where he poses as a company executive to enter the rehabilitative facility known as Sweet Forgetfulness. There, in a combination of therapy and meditation and the strange mental effects of the large birds called Therapati, criminals can be reformed, and the past can be…well, if not fully forgotten, at least eased.

Of course the Doctor is never one to stay for too long—though he is determined to try it on his cloud! So, he returns to Earth, and parks his TARDIS; but now he has a plan to, at the very least, distract himself.

George Furman was once a burglar and petty thief, but that was long ago. Now, though he still lives in poverty, he is trying to be an honest man. At the least, he has found an outlet for his time and his mind: George trains songbirds. And as it turns out, there’s a new landlord, Mr. Smith, at the King’s Arms pub (now oddly renamed the King’s Giraffe), and the landlord has a thing for songbirds. That thing, specifically, being a competition. George can’t fail to enter his prize goldfinch, Joey; and now he is the finalist, up against the landlord’s oddly named “Murraygold”. Unfortunately, it’s a short-lived competition; and George leaves in frustration, sans bird.

Still, he was attached to Joey, and he can’t just leave it at that. He’s no sore loser, but he must know that Joey is alright. That night, he dusts off his old lockpicking skills, and sneaks into Smith’s house and back garden to check on the bird. He is stunned to find Smith, with Joey in hand, walking up into the sky! A quick check reveals a nearly-invisible, but extravagantly bejeweled, spiral staircase. What the hell—George decides to climb up after Smith. At the top, he finds a strange blue box…and the doors open for him, admitting him.

Inside, the larger-than-life room he finds—the console room, had he known as much—has been transformed into an aviary, full of chirping songbirds of all types. Smith is furious to find George here; but stranger yet, he seems to be furious not at George, but at…the box? He insists that the TARDIS, as he calls it, is playing games with him, trying to remind him of his responsibilities. He has countered by filling the space with birds to drown out the distress calls. He closes the doors to keep the birds inside, and George as well, though unintentionally. He explains that the TARDIS wants George to be his companion, so as to shake him out of his funk—but he has no intention of giving in. The TARDIS, however, has other plans; and in a flash, it takes them across the galaxy. Grudgingly, Smith—no, the Doctor—realizes where they’re going, and gives in. After all, what better place for a struggling former criminal than the most perfect reformatory?

The Doctor gives George his psychic paper and sends him out into Sweet Forgetfulness. He’ll appear as a transfer from a prison, but the therapy will be good for him. He claims he has no plans to leave George there—but of course he does.

George, meanwhile, stumbles into a feeding of the Therapati birds. He’s struck by the wonder of it all, and already begins to feel the positive effects of this place. Afterward he is escorted back to the incoming group from which he ostensibly was lost, and goes through the sifting, the process by which those who are ready for rehabilitation are separated from those who are not. He passes the test; but he suddenly learns that the facility has been taken over by a criminal gang, and is being used to release allies and silence enemies. Due to the psychic paper, George has, thankfully, been taken for one of the former. Meanwhile, the Doctor struggles against the TARDIS, which has decided to play havoc with its navigation system, bringing him back to Sweet Forgetfulness every time he tries to leave.

George makes a break and returns to the TARDIS, and swiftly tells the Doctor what has happened. The Doctor snaps to life at once, and instantly hits on an elegant solution. He grabs the psychic paper and leads George back into the facility, where he claims to be from headquarters, with a new shipment of birds. Then, with George’s help, he whistles for the songbirds…and the TARDIS releases them. This has the effect of startling the large-but-tame Therapati into a frenzy, which creates a similar frenzy among the gang members, setting them on each other. In the end, they are sent running; the Doctor summons the authorities to reassert control; and the songbirds, including Joey, have a new home inside the facility, separate from the Therapati, which will be returned to their natural environment (with no predators).

The Doctor returns George to London, where he commits himself to campaigning for the welfare of songbirds. As he departs, the Doctor settles back onto his cloud, and grudgingly tells the TARDIS that she won this round…but only this round. He refuses to take on a new companion. She, on the other hand, is content; she’ll continue reminding him who he is.

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I’ll credit this story with one fantastic quality: It feels very much like a Christmas special. I suppose that’s in part because of its placement; this story takes place shortly before The Snowmen, in which the Doctor meets the Victorian-era avatar of Clara Oswald. At any rate, it can best be described as “charming”, and I think that’s a fair term here.

We find the Doctor hiding out on a cloud, as in The Snowmen. The TARDIS, meanwhile, is having none of it, and making frequent attempts to pull the Doctor out of his depression and get things back to normal. Enter George Furman, potential (but ultimately declined) companion, a former petty thief and present bird tamer. The Doctor is cajoled into this adventure, with the TARDIS whisking him George off to the Sweet Forgetfulness rehabilitation center—where naturally, things aren’t all as they seem. It’s a quick fix for the Doctor, and a brief flash of his old self, and a happy ending for George. It’s not enough to bring the Doctor back to himself, but it does, perhaps, wear down his walls a bit, and set him up for the events of his meeting with Clara.

What can I say—a dose of whimsy is nice this time of year. If that’s not enough to interest you, there’s also some nice (and fourth-wall-breaking) references here, such as a reference to the Doctor’s own songbird as a “Murraygold”. The Doctor speaks birdish, now; move over, horse and baby! There are some continuity references, but only enough to establish the placement of the story; the Doctor refers to the events of The God Complex, and Amy and Rory’s exit in The Angels Take Manhattan, and the reboot of the universe in The Big Bang/The Pandorica Opens. He also makes a vague reference to other companions left behind, which can refer to any number of stories (maybe the Doctor has commitment issues?).

The thing I appreciate most here, however, is the view of the Doctor. He’s clearly seen to be struggling with his usual self. He’s clinging to his depression, but at the same time, his usual upbeat personality and desire for involvement can’t help leaking out; and he’s snarky and angry because of it. I’m somewhat reminded of his “And then I’ll have to find a new name” bit from The Beast Below in the way he seems frustrated, and the way his mood swings wildly here.

This is the first story we’ve had here with an actual villain and adversarial encounter, and I’m glad to have it. Not that I have any problem with the cozy vignettes we’ve had—the Whoniverse is full of them—but I like having both types of stories in the collection. It wouldn’t feel well-rounded without a few stories like this.

Overall: Quite fun, this one. A nice setup to the Clara Oswald era and the Impossible Girl arc. I’ve voiced my general dislike of Clara before; but I also enjoyed the early days of her time with the Doctor, and this story, though it doesn’t feature her, makes me want to rewatch. That’s not a bad sentiment. Check it out!

Next time: We’re quickly approaching the projected end of the sale period for this collection, so check it out while you can! I’ve been delayed a bit, most recently by a sick child at home, and so I don’t expect to finish before the end of the sale period. However, I do intend to finish the series, so stay tuned. To that end, next time, we’ll be reading The Stars and Their Promises, by Dana E. Reboe. See you there!

A Pile of Good Things is available here until 25 November 2019, in both physical and digital form.

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Charity Zine Review: A Pile of Good Things, and Someone Kidnapped, Something Blue

We’re back, with another charity zine review! Today I’ll be looking at the third entry in Ginger Hoesly’s Eleventh Doctor Zine, A Pile of Good Things. This entry, by Tina Marie DeLucia, is titled Someone Kidnapped, Something Blue, and features a few old favorite friends.

As always, there will be spoilers ahead! For my rationale for spoilers, check out the first entry in this series. If you want to skip the spoilers, you can pick up at the next divider, below.

For context, this story takes place near the end of the Eleventh Doctor comic, Hunters of the Burning Stone, after the end of the story’s primary action, but before the wedding scene. And with that, let’s get started!

A Pile of Good Things cover art

The Eleventh Doctor stands on a battlefield, the sounds of combat dying around him. With him stand two old friends—the oldest, or very nearly. Friends he never expected to see again: Ian Chesterton, and Barbara Wright. The unlikely trio have just survived the battle between the Prometheans and the now-uplifted Tribe of Gum—old adversaries and new, now turned on each other—and it is time to make an exit. For a moment, Ian and Barbara think the Doctor has been scarred by this encounter—but it only takes that moment for his boyish enthusiasm and boundless energy to return, and he ushers them aboard the TARDIS with glee.

It’s all been a lot to take in for Ian and Barbara. For them, it’s only been months since they last saw the Doctor—their year is still 1965, the year in which they returned home from their travels with him. For the Time Lord—did he ever even say that phrase to them?—it’s been centuries, and lifetimes. There’s a core of him that is still the same man, though—as Barbara says—changed for the better; but in so many surface ways, he’s a new man. Moreover, the TARDIS is different; Ian even finds himself missing the old bright white walls. But the Doctor doesn’t give them time to process it; he’s already bustling over the controls, and he claims, no, insists, that he knows how to fly the ship properly now! He hits a switch…

…And the TARDIS materializes in deep space. Well, that wasn’t according to plan!

Another attempt takes them to a tube station, in the path of an oncoming train! Another terrified, hurried jump takes them to yet another new location…and none of them are 1965 London. The Doctor is forced to come to a rather unusual conclusion: The TARDIS is playing with them. In fact, it seems—though the thought is bizarre to Ian and Barbara—that the ship…has missed them. After a brief, slightly huffy argument, the two schoolteachers leave the Doctor to work out his differences with the errant time machine.

Some time later—minutes, hours?—the Doctor is sitting on the edge of the doorway of the TARDIS, gazing out over the glowing spectacle of a galaxy. Ian comes to join him, and the Doctor nudges him over his anxiety to return home. At last Ian admits that he has a question to ask Barbara, and he doesn’t want to ask it here, or in the depths of space, or anywhere else in their travels. After all, it’s a very important question–the question, the only one that matters to them: He plans to ask Barbara to marry him.

The Doctor’s reaction is one of boundless excitement—he practically falls out of the ship in his joyful congratulations. He has already moved on to planning the wedding, while Ian is still voicing his concerns! Will Barbara take it seriously, Ian wonders, or will she think this is only a grab at normalcy after the world has moved ahead without them?

But the Doctor can’t accept that. Instantly he reassures Ian that Barbara loves him as well; after all, the two are not exactly subtle about it. Moving on, he announces that his oldest friends need the best possible wedding, certainly one better than his own (a revelation that sets Ian back a step). His enthusiasm is infectious; and in the midst of all the plans of dubious viability (Ian hasn’t even asked her yet!), he finds time to make a spur-of-the-moment request that is, despite it all, perfect: He asks the Doctor to be his best man.

In the morning—TARDIS’s morning, at any rate—the time machine has finally become more agreeable, and the Doctor is able to take his friends home. And as they step out into the London sunlight, and Ian gets down on one knee, the Doctor takes a moment to reflect that stealing them away, all those years ago, was worth it. He may not belong anywhere…but they do, and for a moment, he can enjoy that belonging as well. And, he decides, he will miss them.

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I’m a sucker for a good story involving Ian and Barbara, and I particularly like Hunters of the Burning Stone, the story on which this story builds. I wasn’t expecting to find it complemented here in this collection, but the surprise was certainly pleasant.

In any story like this, that brings the Doctor into contact with old companions, there is naturally going to be a heavy emphasis on referring back to old times. This story is no exception, and there’s a considerable amount of reminiscing that goes on: Ian talks about the changes in the TARDIS, Barbara talks about the changes in the Doctor. As a result, we do get a few continuity references. There are references to The Aztecs, and especially to Cameca, the Doctor’s erstwhile fiancée from that story. There’s a reference to the events of The Chase, most notably the Dalek time machine used to transport Ian and Barbara home. From the other direction, there is a quick overview of the Doctor’s relationship and marriage to River Song (A Good Man Goes to WarThe Wedding of River SongLet’s Kill HitlerThe Impossible Astronaut, and others). There’s even a bit of foreshadowing of much later events; the Doctor mentions the Kerblam! shipping company while talking about plans for Ian and Barbara’s wedding.

Overall: This is a much-appreciated vignette giving us a glimpse of a very important moment in the Chestertons’ lives. We’ve seen their wedding; we’ve seen their future and their son; here we get the proposal that started it all. It’s yet another good moment in the Doctor’s very long life, and it’s a pleasure to see it with him.

Next time: I’ve gotten a bit behind, so I may rush a bit to get through the remaining stories in the collection. Next we’ll be looking at a very low moment in the Eleventh Doctor’s life with Paul Driscoll in The Birds of Sweet Forgetfulness. See you there!

A Pile of Good Things is available here until 25 November 2019, in both physical and digital form.

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Charity Zine Review: A Pile of Good Things, and “Lost Soul”

We’re back, with another review! Today we continue our look at the Eleventh Doctor charity zine, A Pile of Good Things, edited by Ginger Hoesly. You can find the previous entry here. Today we’re reading the second story in the collection, Lost Soul, by Katie and Claire Lambeth. Let’s get started!

A Pile of Good Things cover art

Spoilers ahead from here to the next division line!

A young girl of twelve, Edna Ashcroft, is alone. She was accustomed to being out of place, but this was different: for the first time, she was truly alone. No one could be found anywhere for miles around: no clerks, no pedestrians, no drivers, no shopkeepers—and most of all, no soldiers. That was significant, for Edna lived in a war zone.

Now, she stood outside Dover Castle, and stared in awe as, with a strange wheezing sound, a blue box heaved itself into existence in front of her, and a strange man in a jacket and bow tie stepped out.

The man quickly introduces himself as the Doctor. He cements his strangeness by asking what year it is—as if anyone wouldn’t know the years was 1943! Still, despite his strangeness, it only takes him a minute to detect the problem, and leap into action, pulling young Edna along with him.

The search takes them into the tunnels beneath the castle, shelters for military personnel against the bombings. Edna marvels at the Doctor’s sonic screwdriver—secret wartime technology??—before following him inside. No one is around, and the place has been deserted in the moment—even a cup of tea has grown cold, untouched on a desk. In a medical bay there is blood from recent procedures, but no patients, no doctors, no nurses. Flickering lights lead them back to the surface, this time on the top of the castle—and there they encounter a group of tall, humanoid aliens, clad in arms and armor.

But, once the initial misunderstandings are resolved, the aliens—who decline to name themselves—reveal a shocking notion: That Edna is, in fact, one of them! They assert that she was left behind on a scientific expedition twelve years ago, and simply does not remember; and now they have come to rescue her and return her home. When queried as to why she looks human, they explain that they altered their forms on arrival in order to blend in. The Doctor checks Edna’s DNA against theirs, and indeed, there is a match.

But it’s not so simple as letting a child go with these strangers. The Doctor wants to know: Will she be safe? And for that matter, what does Edna want? His caution is admirable, and he continues to argue for her safety as Edna slowly comes around to the aliens’ view. She explains that she has always felt like an outsider, as though she doesn’t belong…it turns out, now, that she truly doesn’t belong. And moreover, she wants to go with them. The Doctor declares then that he will go along, see her settled in safely.

Before they can leave, however, a crisis presents itself. The aliens have stopped local time briefly—quite powerful indeed—and set a bubble of vacancy around the local area, to allow themselves privacy to find Edna. Now that bubble is collapsing, and if they do not set things right, there will be trouble. They rush through the castle with the Doctor and Edna, setting things back to normal in their wake. They teleport to their ship just in time, as everyone in the castle reverts to their former places and time…

On the bridge of the ship, the Doctor watches the planet Earth below. At Edna’s request, he reassures her that the war on Earth will end soon, and many good people will survive. She sees the emotion in his eyes, and remarks that he really loves the Earth. He confirms that he does, almost as much as his TARDIS…wait, where is the TARDIS?!

And on Earth, a man in uniform reaches for his tea, and finds it cold. So fast! What, he wonders, has he missed?

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We’ll be jumping around a bit in the Eleventh Doctor’s life as we work through this collection. Here, we find ourselves in the post-Amy and Rory period (or at least between their adventures), but pre-Clara. The Doctor is traveling alone, but he still seems to be young and full of life. Now that I think of it, given his high spirits here, it seems likely that this story occurs between adventures with the Ponds rather than afterward; he has not yet sunk into the depression we’ve seen in the wake of their loss, and there is no mention of their departure.

I’ve occasionally tried to sum up each Doctor’s personality in a single word. The First Doctor could be described as “old-fashioned”, the Second as “bumbling”, the Seventh as “calculating”, etc. Usually the exercise breaks down at certain points; for example, I have trouble limiting the Sixth Doctor to one word. The Eleventh, however, could easily be described as “whimsical”, and that’s what we see here in this story. He’s interacting with a child (well, mostly a child—we don’t know her real age), and he’s full of energy and fun even in the face of what seems to be a very serious situation. I don’t think I could subsist on a steady diet of stories like this one—we need the serious Eleventh Doctor as well—but as an interlude or an escapade, it’s quite welcome and enjoyable.

The villains here are quite nondescript, and that’s okay; they aren’t here for their villainy. In fact, they’re not truly villains at all; I’m only calling them that because they fill that niche in the story, with a brief sense of menace at their introduction. We never even get their species name; but it doesn’t matter, because what is important is what they mean to Edna Ashcroft. That child is reminiscent of Nancy from The Empty Child/The Doctor Dances; but perhaps that’s just the wartime backdrop of the story. She accomplishes much here with little elaboration; but then, that’s often the case with children in Doctor Who stories. Their presence, and the reaction they inspire in the Doctor, is usually enough.

Overall, a quick and cozy story. Little happens, but that’s not the point; it’s the emotion that matters here. We’ll find action elsewhere; this one simply makes you feel good.

Next time: We’ll look at Someone Kidnapped, Something Blue, by Tina Marie DeLucia, with a cameo from some very old friends. See you there!

A Pile of Good Things is available here until 25 November 2019, in both physical and digital form.

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Charity Zine Review: A Pile of Good Things, and “Displaced Persons”

It’s review time again! Today we’re covering something new and different.

Some of you may recall a review several months ago for the wonderful Moon Man charity zine featuring Peter Capaldi in all his various roles. Recently I was approached by the editor of that zine, Ginger Hoesly, about another upcoming zine, which I’m happy to cover. This project is titled A Pile of Good Things, and features the Eleventh Doctor in a collection of short stories and artwork. This project is a little different, in that it’s more of a small anthology, focusing on the Eleventh Doctor specifically as opposed to the actor; and so it will take me a few posts to cover it. In the meantime, you can find it for purchase at this link, where it will be available until 25 November (along with some of Ginger’s other projects, including Moon Man). Check it out!

A Pile of Good Things cover art

Cover art (edited for size)

There are nine stories in this collection, and twenty-five art pieces. My goal is to review each story individually, and to wrap up with a post featuring a selection of artwork. As I mention in every case of a charity or fan project, my usual procedure is to include a plot summary. “Spoilers!” I hear you say. Well, yes, but there’s a reason for it! These projects as a rule don’t get the kind of documentation that licensed works get. There’s no TARDIS wiki for fan projects (to my knowledge anyway, and if I’m wrong, someone please hook me up!) [EDIT: Thanks to Aristide Twain for pointing out the Whoniverse wiki in the comments below, which covers works of this type.] Star Trek has Memory Alpha for canon works and Memory Beta for…well, less canon works, but we Whovians don’t have anything like that. The thought that such a broad swath of the Doctor Who universe should be unknown and undocumented is downright criminal. In addition, fan projects are usually available only for a limited time, and thereafter become very hard to obtain. Therefore, I add a level of detail here that definitely falls into the category of “spoilers”, so that there will be a record of these stories (for the record, I put these posts on Reddit’s /r/Gallifrey subreddit as well as here on the blog). But, if spoilers aren’t your thing—or if you simply plan to buy the zine and see for yourself—you’re still in luck! I clearly mark the spoiler section, and tell you where to pick up if you want to skip it.

With that said, today we’re reading Displaced Persons, by Michael O’Brien, featuring the Eleventh Doctor and Amy Pond. Let’s get started!

Spoilers ahead from here to the next division line!

Amy Pond didn’t ask for a quick lesson in TARDIS mechanics, but she gets it anyway, as the Doctor holds up a smoking bit of electronics. The device is—or was–a vortex transducer, which enables the TARDIS to materialize as it exits the time vortex. Unfortunately, the main collection of transducers has burned out…as have the backups…and the emergency units. The TARDIS is, as it were, on its last legs. The good news: It can synthesize more! The bad news: To do so requires a supply of a temporally active material called tetratimoline vizorimide (“tetraviz”, for short), and that substance is rather rare. Still, as usual, the Doctor knows a guy, and so he takes the TARDIS in for a bumpy landing.

The Chasisto: a fine military cruiser in the Planetary Alliance Star Navy. Humanity is mostly (if briefly) at peace, but still, vigilance and weaponry are constants of history… at any rate, the Doctor quickly introduces Amy to Captain (formerly Commander) Ben Criette, an old friend. Criette’s ship and crew can produce the tetraviz, but with a mind-bending twist: the process must be initiated about forty-eight hours after it is completed. Amy waves this off with characteristic grace, because there is another issue at hand.

Isn’t there always?

The Chasisto has recently taken on a rather odd, sarcophagus-like object. [Note: I’m going to interject here and say that I was absolutely certain this was going to be another Genesis Ark and thus a Dalek story. I was pleasantly surprised! Read on.] The device has been analyzed, and revealed to be a Multi-Dimensional Memory (MDM) unit. Such a unit could hold a galaxy’s worth of information! But there’s a catch—the technology is notoriously risky, and humanity abandoned the idea. But what if this unit is functional–! Stranger still, the device is transmitting, but no translation has yet been possible. And more: It is exhibiting odd temporal phenomena, winking in and out of existence—so, does it come from the past, or the future? The Doctor quickly sorts out the translation, and finds that the device—or at least its message—stems from an old familiar race: the Vardans.

The message is a distress call. It states that the Vardans are refugees from the Last Great Time War. They are escapees of a prison set up by the Doctor long ago, in which the Vardans—in their pure-energy forms—were trapped in a temporal loop on a distant world. They claim to be non-combatants, held in slowly failing storage. The Doctor deftly avoids any discussion of the Time War, and puts it to Criette and his senior officers (and one Admiral Drayth, who is along for the ride) to decide: Help the Vardans, or not? The decision is aided by the surroundings: the room in which the unit is being analyzed is a sort of tactile imaging chamber, able to produce solid holograms. While the ship can’t hold thousands of refugees, it can allow some representatives to manifest in a physical form, and make negotiations. The plan seems sound; and via some quick maneuvering around Drayth’s objections, the Doctor ensures that he and Amy will be present when the Vardans are unbottled, as it were.

Five Vardans are manifested, led by one Kamark. But—perhaps predictably—it quickly proves to be a trap! The Vardans seize control of the chamber and its holographic projectors; however, their forms instantly melt away and resolve into something more monstrous. The Doctor recognizes these insectile forms…

Wirrn.

Even the humans recognize this parasitic race as a threat, and open fire, but to no avail. They begin to grapple with the Wirrn. The Doctor demands to know how many Vardans were infected by the Wirrn; the lead Wirrn claims that they have infested the entire data unit. Further, they’ve learned a trick from the Vardans: With the ability to become solid via hologram, they are able to infest living beings again—and they plan to do so to the crew of the Chasisto.

With the situation deteriorating, the Doctor looks around for something that will get them out. Most of the items in the room are useless; but he spies Amy wielding a bottle of a heavy fluid to beat down a Wirrn. Wait…where did that come from? With a sudden flash of intuition, he tells her to throw it at the databank. She catches it as it fades out of existence; the bottle is caught and goes with it, leaving only the fluid—the tetraviz—to splash on the unit as it fades in again. The Wirrn vanish, along with the unit, and the ship’s computers begin to reboot themselves.

In the aftermath, the Doctor explains that he noticed the container, and realized it hadn’t been there before—meaning, it came from the future. That guaranteed that it was filled with the requested tetraviz. Meanwhile the databank was already temporally unstable, due to its passage through the Time War and the effort of holding corrupt Wirrn bio-data (the Wirrn not being naturally suited to energy forms). Combine the two, and… well. The results were catastrophic, for the databank at least. Oh, it will require that another batch of tetraviz will have been started for the Doctor…but that’s the future. Isn’t it? It’s enough to give anyone—especially Amy—a headache.

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Well, that was fun! This story, I have to say—and if you read the spoiler section, you’ll have seen my note to this effect—did not go the way I expected it to go; but it was a refreshing change. The Vardans are a bit of a one-note villain, as are the Wirrn; but one note is really all that’s needed here. Remember, this is a short story, and that’s by design.

I like the reference to the Time War. It’s always interesting, to me, to see how the Time War relates to the universe as it exists after the War ended. While humans may not have much memory of the War, other races weren’t so lucky, and it’s interesting to get a look at how they’ve changed in the wake of events. The Vardans were last seen on television in The Invasion of Time, before the War; this story serves as a followup of sorts. The Vardans here are a remnant of those trapped by the Doctor in that story, now having survived the Time War, only to fall to the Wirrn. A terrible ending for them, no doubt—they were always second-string villains in terms of power and capability (Bernice Summerfield once stated that they were “the only race in history to be outwitted by the intellectual might of the Sontarans”, a reference to The Invasion of Time, mentioned in No Future), but they still don’t deserve the Wirrn. But I have a bit of a soft spot for the Vardans; shortly prior to this story, I had finished reading the New Adventures novel No Future, which gives the canon explanation for the Vardans’ escape from the Doctor’s trap. They, uh…they come off looking pretty bad there as well. Oh well, can’t win ‘em all, I guess (and if you’re a Vardan, can’t win any).

All joking aside, though, the best thing about this story is seeing the Doctor and Amy together again. There are few hints as to when this story takes place, but given that Rory isn’t mentioned, I’d place it in early Series Five. No cracks in time are mentioned, but as this is indeed a very short story, that’s no major issue. I took great pleasure in casting the lines in my head in the voices of the Doctor and Amy; my compliments to Michael O’Brien for absolutely capturing their mannerisms, their banter, their wit. In addition, we get a nice setting for this story in the Chasisto. I’m reminded of the ship in Into the Dalek, though this is not (apparently at least) the same military, and definitely not the time of the Dalek wars. Supporting characters are briefly described, and not deeply developed (again, short story), but we get some nice hints of backstory between the Doctor and Captain Criette, which are really all we need to bring that character (and by extension, the others) to life.

All in all, well done, and a nice beginning. If we can proceed in this vein, we’ll do well. It’s worth the purchase just for this story—and we have eight more to go, plus a wealth of artwork.

Next time: Lost Soul, by Katie and Claire Lambeth! See you there.

A Pile of Good Things is available here until 25 November 2019, in both physical and digital form.

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Novel Review: Iceberg

We’re back, with another Doctor Who novel review! Today, we continue catching up on the Virgin New Adventures (VNAs, hereafter) featuring the Seventh Doctor, Ace, and Bernice Summerfield. Today we’ll be looking at Iceberg by David Banks, published in September 1993.

Iceberg cover

As I mentioned last time, due to my being a little behind schedule, this and the next several reviews will be a bit shorter than usual, and less involved. I hope you’ll stick around anyway.

As always, there will be spoilers ahead! Given that the books are two and a half decades old, I suspect that won’t be a problem; but at any rate, read at your own risk. And with that, let’s get started!

Here we come to the end of what I informally dubbed the “Holiday Tetralogy”, in which the Doctor wants a vacation. That sounds like such a simple premise; but this is Doctor Who, and of course nothing is that simple. The events of this novel take place at the same subjective time as those of Birthright–that is to say, while Benny and Ace are dealing with the Ch’tizz, the Doctor is on his own adventure in 2006 Earth.

Having split off a portion of the TARDIS into a separate—and alarmingly temporary—craft, the Doctor finds himself aboard the SS Elysium, a new and elaborate passenger liner on a voyage through the Antarctic seas. At the same time, the world is facing a crisis, as its magnetic field is about to reverse itself. Fortunately, there’s a plan! At an Antarctic base—one that is distantly familiar to the Doctor—a team works to assemble a machine that will, in the critical moment, reverse the reversal, and set the magnetic field back to its normal alignment. Unfortunately, no one imagined that under the ice waits a force of silver giants: Cybermen, with a plan to take over the planet. Now, undercover journalist Ruby Duvall must join this strange little man in stopping the plans of the Cybermen…and oh yes, saving the world from a natural disaster as well. All in a day’s work, right?


 

When I describe it the way I did in that summary, it sounds incredibly clichéd. I had some doubts when I read the cover blurb; but I was pleased to see it didn’t work out that way in practice. The story is engaging; and I have to say that it was refreshing to have a story that didn’t focus on the terrible relationships among the TARDIS crew. In NuWho terms we would call this a companion-lite story; ultimately I think it’s most reminiscent of the Tenth Doctor special Voyage of the Damned. The Seventh Doctor works best when he isn’t brooding all the time, and Ace and Benny (or maybe it’s just Ace; it doesn’t seem to happen as much without her) seem to bring out the brooding in him. Here, it’s clear throughout the story that, regardless of how dire the situation may be, he’s enjoying himself. So, maybe the holiday situation worked out in the end?

The comparison to Voyage of the Damned also works in relation to the companion of the day, Ruby Duvall. (She does, momentarily, travel in the TARDIS; but still, I wouldn’t call her a regular companion.) Ruby is very similar to Astrid Peth from Voyage in terms of personality; perhaps a little more world-weary, as she has a more varied set of life experiences than Astrid, but with the same eagerness to get involved. Like Astrid, she too wants to leave with the Doctor, but doesn’t get the chance, even though he is willing to take her. (Fortunately, it’s not through death that she misses her chance—Ruby lives to tell the tale, literally, as she dictates the final chapter of the book.) She follows a familiar pattern; many of the Doctor’s one-off companions seem to fit this template.

The biggest issue I find with this novel is that it contains several threads which never really pay out. Most notable is iceberg-sculpting artist Michael Brack. One would believe, from the first half of the novel, that he is going to be a major figure, with possible ties to the Cybermen—after all, they’ve used human agents many times before. In the end, though, he doesn’t amount to much, and his big secret—while emotionally significant for Ruby Duvall—feels rather tacked on at the end.

It’s worth noting that there’s a theme in the background of the VNAs, regarding the state of the Earth in the 21st century. It’s generally depicted as a hothouse of resource depletion, pollution, and general environmental abuse, largely due to the actions of corporations like the Butler Institute (not pictured here, but prominent in other novels in the series, such as Cat’s Cradle: Warhead). Ten years ago, I would have mused about how quaint the view was; these days, it’s uncomfortably relevant, with the real-world climate change issue. That theme is the backdrop for this novel as well, though it’s shielded a bit by the fact that this story takes place in the Antarctic; it is mentioned prominently in the early chapters and again at the end, but not much in between.

We can’t completely escape the tropes we’ve built up; this book continues the trend of drawing heavily on past (read: televised) stories. Here it’s The Tenth Planet that gets revisited. The Antarctic base is the same one featured in that story; its new commanding officer, US General Pamela Cutler, is the daughter of deceased Brigadier General Cutler, who died in that story. Both stories feature the Cybermen; but the Cybermen here are not from the Mondas situation addressed in The Tenth Planet, but relics of an older invasion attempt in the 1970s (The Invasion). Other continuity references: The Doctor is reminded at one point of his Sixth incarnation’s multicolored coat. His first regeneration (at age 450) is mentioned (The Tenth Planet). International Electromatics is mentioned (The Invasion, et al). Ruby Duvall will reappear in Happy Endings (if we ever get there, that is). The Doctor mistakes Ruby briefly for Kadiatu Lethbridge-Stewart (Transit). Ruby mentions the Cottingley fairy photos (Small Worlds). Photographer Isobel Watkins and her work are mentioned (Who Killed Kennedy). The Doctor has a vague memory of Daleks connected to a cricket match (The Daleks’ Master Plan). As well, there are many references to previous Cybermen stories, many of which have timeline conflicts that are subject to some efforts at reconciliation.

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Overall: Not bad, and I’d even go so far as to agree with the Discontinuity Guide in calling it underrated. The author is an occasional Classic Series actor, having played a Cyberman on a few occasions, and has a great interest in and detailed knowledge of the Cybermen and their history. It shows, as this book makes them a more visceral enemy than their Classic Series television appearances; there’s more of the body horror that we see in NuWho and Torchwood, where we actually witness transformations in progress. It’s worth it just for that; and it’s a nice break, as well, before we dive back into the mess that is Ace and Benny’s relationship (and the Doctor’s, with both of them).

Next time: We sidestep into an alternate universe in Blood Heat, by Jim Mortimore! See you there.

The New Adventures series is currently out of print, but may be purchased in previously owned form via Ebay and other resellers.

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Novel Review: Birthright

We’re back, with another Doctor Who novel review! Today, we continue catching up on the Virgin New Adventures line (VNAS, hereafter) featuring the Seventh Doctor, Ace, and Bernice Summerfield. Today we’ll be looking at Birthright by Nigel Robinson, published in August 1993.

I mentioned last time that I find myself in a combination of conflicting factors. For one, I dropped this line for some time due to burnout, meaning I’m further behind than I meant to be. For another, in the month of September I read a number of VNAs without posting any reviews, meaning I’m now behind on both reading and reviewing. As a result, these reviews (until I’m caught up) will be shorter than usual, less involved. I hope you’ll stick around anyway.

And finally, as always, there will be spoilers ahead! Granted, they’re spoilers for a book that is two and a half decades old, but, read at your own risk. Let’s get started!

Birthright cover

Picking up after the events of Shadowmind, we continue what I have informally dubbed the “holiday tetralogy”, wherein the Doctor really just wants a vacation. I don’t blame him; no one in the current TARDIS crew seems able to get along, nor to work through their own issues, and that includes the Doctor. He’s going to get it, too, whether his companions like it or not.

This book and the next, Iceberg, follow a pattern that ought to be familiar with viewers of the modern series: A “Doctor-lite” story, followed by a “companion-lite” story. The two stories take place at the same time (as much as any time travel story can be described in that way), at least from the perspective of our main characters. Here, we follow Benny for about two-thirds of the novel, and then incorporate Ace’s perspective. After experiencing a catastrophic event in the TARDIS, Benny finds herself stranded in 1909 London, where a serial killer is eviscerating young women. Ace lands on the planet Antykhon in the approximate year 22,000, where she finds humanlike survivors waging a resistance war against the ruling, insectoid Charrl, the reputed most noble race in the universe. There, an old hermit named Muldwych assists the queen of the Charrl in her efforts to transport her race through time to twentieth-century London; and all he needs is a missing piece of the TARDIS. The Doctor, of course, would know what to do—if he could be found.

I mentioned previously that we were embarking on what I consider a lackluster stretch of the VNAs, and that is true. It’s a sequence that highlights several plot and character elements that become so repetitive as to be tropes of the series, especially as relates to the relationship between Benny and Ace. But, in the interest of fairness, I did enjoy this book, once it got going. It, alone of this stretch of entries, tries to subvert some of those tropes; for example, instead of locking Benny up (or otherwise disposing of her) for two-thirds of the story, it puts her in the spotlight, allowing her some much-needed character moments. Of course, the downside is that now Ace is out of the picture; no one seems to be able to do justice to both characters together. We do, unfortunately, continue the trend of catastrophically removing the TARDIS from the story (though it’s not as egregious as what’s going to happen in Blood Heat when we get there!).

I liked the Charrl and their queen, Ch’tizz, as villains, largely because they don’t want to be villains; they feel driven to it by the threat of extinction. Their world, Antykhon (which has its own secrets that I won’t spoil), is a colony world that turned out to be hostile to their form of life; within a few centuries they will be extinct. This, in turn, drives Ch’tizz to strike a bargain with the hermit Muldwych to take them away somewhere safe, in exchange for his own freedom. On the other hand, the point is driven home many times that the Charrl are the most noble, most beautiful, most peaceful, most creative race the universe will ever know—a point which seems unlikely enough, but even the Doctor makes it, in his brief appearance at the end. I could have done without this particular bit of trivia, especially on repeat. The secondary villain, Ch’tizz’s human agent Jared Khan, was much more forgettable; there’s a hint of an interesting backstory involving the Doctor, but little is done with it. He could have been removed from the story with no great impact.

Of much more interest to me is Muldwych the hermit. As this isn’t addressed in this novel, I don’t consider this a spoiler; but other materials make it clear that he is a future incarnation of the Doctor, albeit a very odd once. It seems that he may be the incarnation that earned the “Merlin” moniker in Battlefield (although other incarnations have also been known by that name). Although he has made other, subsequent appearances, which confirm his connection to the Doctor, the wiki indicates that Nigel Robinson did not intend for Muldwych to be Merlin (and therefore presumably not the Doctor either). Indeed, the Doctor interacts with him here, and speaks of him familiarly as though they have met before; this would seem to imply they are not the same, as if he were a future incarnation, the Seventh Doctor should not be able to remember any past encounters with Muldwych. Muldwych is cantankerous, devious, and far less moral than the Doctor, and seems to have developed a strong sense of self-interest; so I’m interested to see how he is portrayed in later entries.

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Continuity References: We’re swimming in them today! It’s still some distance ahead of us, so I’ll go ahead and say that the Charrl and Muldwych will appear again in Happy Endings. Muldwych refers to 699 Wonders of the Universe; the 700th was destroyed in Death to the Daleks. Muldwych quotes the Fifth Doctor on the subject of tea, calling it “a noxious infusion of dried leaves” (The Awakening). Jared Khan, while following the Doctor through several hundred years of Earth history, ends up in the court of Kublai Khan (Marco Polo), and just misses the Doctor at Culloden in 1746 (The Highlanders). Muldwych recommends Madame Bovary to Ace via the Doctor, as a hint toward an as-yet-undefined future related to events of The Curse of Fenric (I admit this one is a stretch for me; I’m pulling that information from the Discontinuity Guide for this story, but I don’t personally know all the links in this chain of events yet). The TARDIS performs a time ram on part of itself, as first described in The Time Monster; this results in the famous Tunguska event, a massive explosion over Siberia. The character of Margaret is an aunt to Victoria Waterfield (The Evil of the Daleks); Ernie Wright, meanwhile, is implied to be Barbara’s grandfather (An Unearthly Child, et al). There is a bank account holding a large amount of money for use by the Doctor’s companions in emergencies; its five co-signatories are Benny, Victoria Waterfield (The Evil of the Daleks), Susan Foreman (An Unearthly Child), Sarah Jane Smith (The Time Warrior), and Melanie Bush (Terror of the Vervoids). And many more: for time’s sake, I’ll quote the Discontinuity Guide:

The Time Vector Generator first appeared in The Wheel in Space. The Cloister Bell rings again (Logopolis). There is a reference to the Seven Planets (The Pit). The Doctor mentions Susan. He has told Bernice, “sleep is for tortoises” (The Talons of Weng-Chiang) and has told Ace about the Wirrn (The Ark in Space). He mentions the Eye of Orion (The Five Doctors). Deaths for which the Doctor is held responsible include Adric’s (Earthshock), Katarina’s and Sara Kingdom’s (The Daleks’ Master Plan), Sorin’s (The Curse of Fenric), Julian’s (Love and War), and Raphael’s (Timewyrm: Apocalypse). There are references to Draconians (Frontier in Space), Hoothi (Love and War), Special Weapons Daleks (Remembrance of the Daleks), Karn and the Elixir of Life (The Brain of Morbius), Mondas (The Tenth Planet), Rassilon, Jan and Heaven (Love and War), Cybermen, Lady Peinforte and Richard (Silver Nemesis), Ace’s trip through a time storm to Svartos (Dragonfire), the Hand of Omega (Remembrance of the Daleks), Vicki, Steven, Nyssa, and Peri.

Overall: I actually wanted to hate this one, but I was pleasantly surprised. It’s a nice break in the midst of a lot of repetition. Just by nature, the next book will be similar, as it’s hard to have tropes about the companions without the companions. In a very real sense, the two books are halves of a whole. After that it will be back to business as usual for five books at least. Doctor-Lite and Companion-Lite are formats that I hope we see again in the novels.

Next time: We’ll get the rest of the story in Iceberg, by David Banks! See you there.

The New Adventures series is currently out of print, but may be purchased in previously owned form via Ebay and other resellers.

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Novel Review: Shadowmind

We’re back, with another Doctor Who novel review! Today, we’re picking up the lost threads of our tour of the Virgin New Adventures (VNAs, hereafter), the Seventh Doctor novels published between the cancellation of the classic series and the release of the 1996 television movie. When last we met, we looked at the fifteenth (of sixty-one) entries in the series, White Darkness; today we pick up with Shadowmind, by Christopher Bulis, published in July 1993.

Shadowmind cover

I’ll confess to having dropped this series for some time—in fact, I had unintentionally taken a hiatus from all my review efforts (appropriate, given that these books were published while the series was on hiatus). What can I say; I was getting burned out. There’s a wealth of Doctor Who material, and after awhile it begins to be too much to keep track of. But that in no way means my enthusiasm for the series is diminished! And so, here we are, getting back on track (hopefully). I will say, however, that due to time constraints—as I have a number of time-consuming things going on in my offline life right now—these next reviews will be brief, more mini-reviews than full reviews, at least until I’ve caught up with my reading. Still, I hope you’ll stick around.

As usual, there are spoilers ahead (for a twenty-six year old book)! While the reduced size of this entry will preclude a full plot summary, it is really impossible to discuss details of a story without some spoilers. Read at your own risk (but I hope you will anyway). And with that said, let’s get started!

I mentioned last time—a very long time ago—that the previous book started an informal “holiday tetralogy”, in which the Doctor tries, unsuccessfully, to take a vacation, either with or without his companions. Here he continues his efforts, and they seem to be successful…for about five minutes, anyway. Visiting the established colony world of Tairngire in 2673, the Doctor, Bernice, and Ace spend a few minutes wandering peaceful sculpture gardens…before getting caught up in a disaster in progress. They are quickly drafted into the efforts to save Tairngire from an unknown, extraplanetary assailant. It becomes evident that the assault is centered on the nearby world of Arden, a newly-planted colony world that is inhabited by the indigenous Shenn, a race of telepathic squirrel-like creatures that exist in the form of group minds. The Shenn have the ability to create organic duplicates of anyone they choose, and thus have infiltrated Tairngire…but to what end? And who is controlling the Shenn?

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We’re embarking on a lackluster stretch of novels. For some time now, the VNAs have been a bit repetitive; there are certain plot points that get touched upon over and over. Ace (when she’s present) grapples with her time in Spacefleet much as she used to grapple with her family history; she’s a soldier now, and a brutal one at that, which brings her into conflict with both the Doctor and Bernice. Benny often gets kidnapped, tied up, drugged, or otherwise put aside; it sometimes seems that the authors don’t yet know what to do with her. The Doctor is both angsty and mysterious, and never quite puts his cards on the table, even among friends. Something bad happens to the TARDIS (not in every story, but nearly every one). We delve into the Doctor’s past lives. I believe that it wouldn’t have been so obvious to someone reading the VNAs as they released; but here, with the ability to binge-read portions of the series, it’s very plain. Some novels—The Pit and Lucifer Rising come to mind—are downright painful to read. (Apologies if that varies from what I said in the reviews of those novels; I like to be as optimistic as I can, and sometimes it’s only later that the flaws sink in.)

So, with that in mind, I’m pleased to say that Shadowmind is…well, acceptable. It’s neither great nor terrible. It’s good, middle-of-the-road Doctor Who. That’s a bit of a relief after the aforementioned Lucifer Rising; in fact, we’ve now had two decent stories in a row, with White Darkness preceding Shadowmind. I find this novel to be engaging, but a bit long for its material; it’s fun, with only a little of the introspection and navel-gazing of the novels before and after. (Literal navel-gazing in some cases; the Brigadier will use that very phrase in reference to Buddhist meditation in the upcoming No Future.) We get an interesting enemy in the Shenn and their patron, Umbra (I won’t spoil just what Umbra is); we’ve had group minds before, but here they actually have personality, and try to be as human as possible (for the sake of the humans they’re encountering). Ace is still in her struggling ex-soldier phase, but her actions are more sensible here than in some of the upcoming entries; her struggle is on the surface, and she’s trying to get along with the Doctor and Benny. Benny gets a taste of the military life herself, which will also come up again in No Future; she handles it decently here. This story is kind to her, in that she doesn’t get her usual level of abuse. The Doctor is at least not being particularly deceptive to his companions, though we do see him reiterate his pattern of not telling his secrets until after it’s all over (specifically so that the enemy won’t overhear). Still, the stresses among the TARDIS crew are showing, and they will only get worse from here—at least, for the next half-dozen entries. (I’m hoping for good things after No Future. Really I am. Or maybe I’m just naïve.)

Continuity references: Bernice makes a reference back to the events of the previous adventure, referring to it as “Club Zombie” (White Darkness). The local government, the Concordance, has access to records of the Doctor all the way back to his time with UNIT and his negotiations in the Human-Draconian War (Frontier in SpacePlanet of the Daleks, et al). While navigating visions of the Doctor’s past, Benny sees the First Doctor, and the Doctor refers to her as Barbara and to Ace as Susan (An Unearthly Child, et al). The Doctor name-drops Marco Polo (Marco Polo). Various mentions are made of Jan, Ace’s fallen love interest (Love and War), Iceworld (Dragonfire), various UNIT-era enemies: Daleks (Day of the Daleks, et al), Cybermen (The Invasion, et al), Yeti (The Abominable SnowmenThe Web of Fear), Autons (Spearhead from Space, *Terror of the Autons), and Ice Warriors (not directly UNIT, but The Curse of Peladon).

Overall, not a bad story by any means, but not the most outstanding one either. I’ll take it; it’s going to get worse before it gets better. If you’re reading the VNAs, but only hitting the highlights, you should include Shadowmind for its decent overview of the issues the Doctor and his companions are going to have over the next several novels; after that, if you like, you can skip to No Future without great consequences (though I hope you won’t skip my reviews of them!).

Next time: The Doctor finally gets his vacation, leaving Benny and Ace to fend for themselves in Birthright! See you there.

The New Adventures series is currently out of print, but may be purchased in previously owned form via Ebay and other resellers.

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